I BELONG TO GLASGOW – Part 2.

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The Burrell Collection.

A good buffet breakfast set us up for a full day. The bus took us south of the Clyde  alighting at the entrance to Pollock Park. A pleasant walk through the grounds and we were  outside the Burrell Collection building, reopened in March after a major refurbishment. It originally opened in 1983 to house the vast collection of the Burrell family, gifted to Glasgow in 1944. Sir William Burrell, (1861–1958) a wealthy shipping merchant, devoted more than 75 years of his life to amassing one of the world’s greatest personal art collections, renowned for its quality of Chinese art, exquisite stained-glass and intricate tapestries, as well as its breadth of fine art. The galleries are built with a warm sandstone and lots of glass, situated in the middle of all the greenery of Pollock Park.

We were in for a bumper day. 9000 objects from 5000 years.

Burrell collected just about everything from all over the world and the first we noticed were the many medieval doorways from monasteries and country houses, they have been carefully incorporated into the building giving access between the galleries. The interior is a pleasing blend of stone, wooden beams and glass giving a beautiful light for the visitors.

In the covered courtyard is the Warwick Vase. It was found in the C18th in fragments in the villa of the Roman Emperor Hadrian outside Rome. It was restored and given to the Earl of Warwick. The Vase stood in the courtyard of Warwick Castle for almost two centuries until it was purchased for The Burrell Collection in 1979. A large marble sculpture in the form of a two-handled drinking cup, with motifs to the Roman God of wine Bacchus. So one of the star exhibits was not actually collected by the Burrells.

Off we went around the ground floor outer galleries with exhibits scattered throughout the rooms. Burrell started collecting Chinese antiques around 1910, Jades, porcelain and furniture from all dynasties. 

 

Egyptian artefacts were well represented, and I was particularly pleased to see the lion head of the goddess Sekhmet, 1390BC. My cat Seth is named after this goddess, the name change when the vet pointed out his sex. 

 

Suits of armour were everywhere,  I was amazed at their intricate artistry and the fact that somehow they had survived intact from the C16th.

 

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The museum is home to more than 700 ecclesiastical stained-glass panels from across Europe, and the outer galleries are ideal for displaying them with natural light.

You will all recognise this bronze Rodin statue.

Time for a coffee from the pop-up café in the entrance.

Now we delved into the inner galleries where pictures were protected from the outside light. I thought that the fantastic collection of master painters, Degas, Rembrandt, Manet etc needed more space to show them at their best.

There was an informative section on carpets, mainly Islamic designs.   The  C17th  Garden Carpet from Iran was displayed with its animated video representation bringing  it to life, showing how far museums have become more interactive and accessible

Upstairs were several galleries delving into the secrets of creating the masterpieces. Printing, lace making, woodcarving, metalwork, glassblowing, bronze casting etc etc. We should have left more time for these fascinating insights, but we were coming to the end of our visit and a restorative tea and cake in their café was called for.

I think we missed far more than we saw, and a return visit would be warranted. Once outside we decided to have a walk around Pollock Country Park and see the house where the National Trust for Scotland was started. We did not know what to expect but were surprised at the Georgian grandeur of the house. It had closed for the day, so we only admired it from the courtyard which was full of colourful azaleas. Walking through the stables we found a path following the river, White Cart Water, and skirting the gardens, with a view of the house frontage. The gardens were resplendent with blooming rhododendrons. We wandered back past the estate sawmills, closed for refurbishment, a cricket pitch and Highland cattle in the fields.

 

Back in town we enjoyed a pint in one of the oldest inns in Glasgow. The Scotia Bar established 1792. A friendly place with a good selection of ales – we had the session Belhaven. All around were pictures of old Glasgow and you could imagine the sailors of the past from the nearby docks sipping their pints in here. The subsequent Turkish restaurant was unfortunately a let-down.

A good night’s sleep is needed before tomorrow’s excursions.

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