Walk no 36 from Mark Sutcliffe’s guide combines the hills of Billinge with the River Darwen.
The River Darwen winds its way through the urban environments of Darwen and Blackburn and then has a glorious run in the countryside to eventually empty into the Ribble. I first met it today as I followed Mark’s route from Pleasington Station into Witton Country Park. Here it flows quietly through the meadows and playing fields. Walking upstream I met lots of families, dog walkers and picnickers in the afternoon sunshine. The park s very popular and well-used by the multinational people of Blackburn.
Billinge Hill above Witton Park.
Butler’s Bridge on the River Darwen.
Soon after leaving the river I was climbing steadily for what seemed ages but was only a mile or so. There are paths everywhere in Billinge Woods, there is even a tunnel, and I do find them confusing, so it was with some surprise that I found myself at the summit without any problem. The instructions in the guide were spot on. The OS map shows this as a viewpoint, but that was long ago before the trees took over. Maybe a bit of forest management by the council is needed. The plaque commemorating a court up here in 1429 is looking worse for wear also.
I headed west to find my way out of the woods and onto the ridge of the Yellow Hills (named after the Gorse that flowers here most of the year) pausing at the toposcope dedicated to Alfred Wainwright who needs no introduction. There were views over the nearby towns, but it was too hazy to see his beloved Lakeland. There are several links to walks to the memorial For more details.
Paths, now following The Witton Weavers Way, led down through bluebell woods, lush meadows, inquisitive cattle, newly cut fields, into the wooded gorge to meet the River Darwen once again. This I followed on familiar ways through the old mills at Hoghton Bottoms, under the railway arch and past the weir into meadows alongside the river. The last time I was along here the paths were almost impassable with mud and water, today the ground was bone dry.
Ford through the Darwen, oh there is a footbridge.
I didn’t enjoy the stretch alongside the busy A road and was glad when I turned off on the lane back to Pleasington. A seat in the garden of the parish churcof Feniscowles, Immanuel, was ideal for a break and snack. The River Darwen was crossed for the last time at Walk Mill, and I was back at the station where the local bowls club was in full swing as was the pub opposite.
Remains of Old Feniscowles Hall down by the Darwen.
Immanuel Church Feniscowles.
One for the archives.
I had seen a sign for Pleasington Priory and realising it was just a little farther up the lane went to investigate this Grade I listed Catholic Church. Trees in the grounds prevented a good view of the exterior with its tall front elevation. Above the arched entrance doorway was a prominent rose window. Gargoyles and statues seemed to be everywhere.
A well thought out and varied walk, apart from the short unavoidable A6061 stretch. The day was perfect with the countryside at its late spring best, making me feel truly alive. The modest 7 miles took me nearly four hours against the three suggested in the guide, I wasn’t rushing as I tried to protect my knee ligament and there was a profusion of colourful flowers to photograph.
After my pleasant interlude in the Primrose Nature Reserve I drove across town to visit the Cross Hill Nature Reserve, managed by the Lancashire Wildlife Trust.
“Colonised by orchids and teaming with butterflies, Cross Hill Quarry is a shining example of how nature reclaims the relics of our industrial past.”
I found parking difficult on the road used by all the lorries visiting the cement works but eventually found a quiet spot on the Pimlico Road. The area is dominated by the works, limestone Cross Hill Quarry was apparently abandoned in the early 1900s. I entered by the path next to the railway to walk round in a clockwise direction. What struck me most was the notice board for the Ribble Valley Sculpture Trail. in This was established in 1993 to make art accessible to all whilst enjoying the walks in the park. Artists liaised with the local community to produce works relating to the specific environment. I had previously passed a few of them on the riverside walk, part of The Ribble Way through Brungerley Park. There have been many newer installations, so why not follow the whole trail today? Download your own leaflet here.
The first sculpture is one of several by Halima Cassell, a flower head of Great Burnet, 2009. Made up of many ceramic bricks it displays strong patterns reflecting her Islamic heritage which you will recognise in her other works.
To start with the path was very close to the industry on the left, but one soon lost oneself in the greenery. I diverted to see the Tawny Owl Seat, 2018, created out of sandstone by the prosaic Ribble ValleyStonemasonry. I wasn’t impressed, but it did have a good view of the Ribble and distant misty Bowland.
There was a good showing of Cowslips in the meadowland here, but I realised I was probably a month too soon for the orchids and butterflies, although I did spot a solitary male Orange Tip.
Back on the peripheral path were a stunning pair of Sika Deer, 2007, by Clare Bigger. These life-sized minimalistic animals sprang out of the woodland in a flury of movement.
A little farther and there was another of Halima Cassell‘s geometric ceramics – Fir Cone. Very grand and distinctive.
In contrast, was the diminutive stainless steel Butterflies, 2007, the first of three waymarks by David Appleyard. He developed these in collaboration with local schools. The symbolic nature of the cutouts demand a much closer attention.
A little farther is another of his installations – Ivy, 2007.
The higher path led into the more formalised Brungerley Park. A workman was busy blowing the leaves off the paths, work I always think of as lazy and ultimately unproductive when the next winds blow. Here was the strangest of sculptures in the park. The Cook House, 2000, Helen Calaghan. Apparently depicting a pan of boiling tripe, is there a history of this in the quarry? She has incorporated fossils, as found locally, into the goo. Very strange.
Back to the more familiar at the gate – Common Comfrey, Halima Cassell, 2009.
I left the park through the ornate gates with a Latin inscription beyond me…
…only to re-enter the park lower down near Brungerley Bridge.
Again a comforting installation from Halima Cassell welcomed me back – Alder Cone, 2009.
This path now was closer to the river. The garden blower was still at work but had time to explain to me how at one time there was a landing stage for pleasure boats here and long before the bridge was built hipping stones across the shallows, with links to Henry VI’s capture in the C15th.
Disappointedly I couldn’t make much of Tom Dagnall‘s Two Heads in an elm tree from 1993. I know the artist but couldn’t see one head never mind two. I think they must be on the other side or have rotted away.
Down some steps to the riverside I found Fish Mobile, 2007, by Julie Ann Seaman. Depending on where you stand the fish either swim in the Ribble or leap above the water. Mine did neither.
Onwards I retraced my steps on the outbound route and then dropped to the river again where I found another of David Appleyard‘s steel waymarks, Brook, 2007. Symbolic of flowing water.
Down here was also As the Crow Flies a compass feature in wood by David Halford from 1994. Wooden sculptures don’t seem to last long in the damp NW. The next ceramic mosaic was inspired by Victorian shop doorways in Clitheroe, Wildlife, from Louise Worrell, 2000. It looked more Roman than Lancastrian.
Another Halima Cassell brick creation Lords and Ladies, 2009. Nearby were the real flowers.
Alongside the riverside track were three Mosaic Waymarkers created by Paul Smith in collaboration with Clitheroe primary schools in 2005. They depicted wildlife found in the area with glass and ceramic mosaics.
My side trip into the quarry was not a great success, I forgot to look for Thomas Dagnall’s Footprints as I examined the slanting strata of the limestone. I was too soon for most flowers, though the delph was alive with birdsong.
Where the Ribble Way leaves the park to follow the river there was a striking sculpture of an Otter in white limestone, Fiona Bowley, 2007. I don’t know why, but it reminded me of the Little Mermaid on the waterfront in wonderful Copenhagen. I have yet to see an otter on the Ribble.
Down by the river was the jolly The RibbleKing an imaginative piece created by Matthew Roby, 2007, from recycled materials. At least I often see Kingfishers on the Ribble.
Fittingly, as her geometric representative floral statues composed of multiple ceramic bricks have been a highlight of the trail, my last as I left the reserve was Halima Cassell’s Thistle. Again this had been installed in the relative recent 2009 which explains why I had not seen them on my infrequent visits.
An eclectic collection of statues all having some relevance to the Ribble Valley environment. I like the way schools have been involved in some installations but from a purely visual impact the more professional statues had the most impact on my limited appreciative sensibilities. My favourite has to be the Sika Deer.
I appreciated the bench in the park and the sentiment.
Back at the car and looking at the map there was another disused quarry on the other side of the road with a green public right of way around it. I couldn’t resist it, but unfortunately the quarry has been in filled and the path is fenced in most of the way, so there was little to see. At least I tried.
Salthill Geological trail will have to wait for another day, perhaps in early June when those rare orchids may appear.
Clitheroe is just down the road from my home and at the back of my mind was an excellent post from Shazza regarding a nature reserve in town. Three in particular I wanted to visit; Primrose, Crosshill Quarry and Salthill.
I got away at lunchtime and eventually found somewhere to park adjacent to the newish Primrose Nature Reserve. I remember the excellent Primrose Nursery which used to trade across the road – now an Aldi. There is a bridge above the lodge dam and below is the new fish ladder allowing fish and eel access to Mearley Brook. The mill buildings are being converted to apartment living spaces. Work has been carried out to improve the water environment and access to it. Community And Wildlife | Primrose Nature Reserve | Clitheroe (primrosecommunitynaturetrust.org)
The lodge was created to supply Primrose Mill, opened for cotton spinning in 1787, the arrival of the Industrial Revolution in Clitheroe Subsequently the mill was used for calico printing and later became a paper mill. The paper mill at Primrose had a relatively short life until1890, but the lodge continued to feed a Lower Mill which ultimately became a bleaching and dying works and continued to operate until 1963. The lodge became silted up.
I stood at the bridge for some time intrigued whether the heron was real or not, it didn’t move an inch.
I found a way into the reserve and down to a viewing platform – a few ducks only. The path through the reserve strip was followed with Blackbirds and Chiffchaff noisy in the canopy somewhere. I stopped at the ‘Manet’ bridge to view some water sluices when along came along a black Labrador which I thought I recognised from Shazza’s posts – Hugo. Of course, he was with Shazza herself, so I bravely introduced myself. What an amazing meeting of bloggers. She was as charming as her posts, and it was a joy to meet her.
I let her carry on with Hugo’s exercise as I left the reserve on to the main Whalley Road. The trustees and volunteers have created a vital green space in the centre of Clitheroe which will only improve as it matures.
Ahead of me was St. James Church looking almost as an L S Lowry painting in its starkness.
I walked back along the road and on crossing the lodge bridge once more I saw that the heron had changed its stance proving its existence.
I next went to explore Crosshill Quarry Reserve but became distracted by the Ribble Valley Sculpture Trail, so I think I will leave that to another post.
At the risk of sounding unappreciative or even worse, condescending I’m not one for walking in large parties. One can miss so much of the nature and environment you have come to experience unless led by an experienced historian, geologist or biologist. Today however I was invited to join a group on their short walk from Haigh Hall near Wigan, of which I had no knowledge, They meet once a month for a walk and a pub lunch to follow. Sounded just right for a non committing outing.
The sat-nav negotiated unfamiliar lanes to state that we had arrived at our destination in the large car park of Haigh Woodland Park. (£3.50 all day parking) Our merry group of 12 assembled, I knew three or four of them. Two hours later we were back having followed our leader of the day on what appeared an interesting three-mile circuit. Most of the interest however was passed by as conversation took preference between the friendly crowd. We retired to a local eatery for more of the sociable chat and an excellent meal, a pleasant way to spend a few hours, and I was very grateful for being included.
There was not much opportunity to take photographs as the hoard marched on.
On my return home perusing the maps and websites here and here I found so much more to occupy a repeat visit, probably alone. The area is full of history. Bah humbug, mea culpa.
Walk no. 33 in Mark Sutcliffe’s guide explores the foothills of Pendle from Downham. I was just able to park in the picture postcard village at 10am. The sunshine had brought everyone out to explore the surrounding limestone countryside. A large walking party was manning up for perhaps an ascent of Pendle brooding above. Time to be on my way. This 5 mile stroll should be within my ever decreasing limits, the bad heel and bad back were still niggling me. On top of that my recent cycling tumble has left me with a painful ligament on the inside of my left knee. Anyhow, I’ve strapped up my knee, so I can enjoy the best of the Spring sunshine.
Familiar paths alongside Downham Beck get me ahead of the crowds. Soon I was climbing up to Clay House the first of several attractive farmhouses on today’s walk. There was no letup as I continued upwards, past a barn at Lane Head and then over the access lane to Hollins Farm. Up to Hecklin Farm where a diversion around to the right and then fields towards Ravens Holme. The wall stiles are solid, none of those namby-pamby metal gates with yellow catches, and marker posts have guided me through the fields. That’s how it should be.
Leaving by Downham Beck
C19th Clay House.
C18th Hollin’s Farm.
How much in a garden centre?
C17th Hecklin Farm.
C17th Raven’s Holme.
Spring is definitely in the air with lambs, blackthorn blossom, primroses and celandines all around.
Ups and downs in these folded foothills took me up to Throstle Hall Cottage. All the while Pendle gazed down on my slow progress. Whilst Mark’s directions have been spot on he has become confused with the names of the farms along here. A simple mistake for which there is no excuse. I was now on paths new to me as I descended towards Hill Foot farm. Now out onto open limestone pastures with little quarries all around. I emerged onto the lane by the defunct mill pond to Twiston Mill. TWISTON_MILL.pdf (downhamvillage.org.uk)
I couldn’t resist the short walk up the hill past the Lime Kiln to have a look into Witches Quarry, a favourite limestone venue of mine for years. The sun doesn’t get round to the face until late. Climbers were on one of the sustained HVS’s in the centre of the wall, The Spell. The routes here tend to have ‘witch’ themed names, this is Lancashire Witch country after all. I chatted for a while and then left as they were starting up the VS Thrutch. I was feeling a little envious as I walked down the lane and in fact the quarry could be seen from a fair bit of my ongoing track which surprised me as one tends to think of it being hidden from close up.
Zoom back to the quarry half a mile away.
The paths I used were well trodden heading down the beck, but then I crossed on a footbridge and climbed past a cottage, Springs, onto a higher ridge, possibly a Roman way, for a grand finale back to Downham, now even busier with families enjoying the sunshine and ice creams from the little shop. I came in by the pretty cottages, pub and church. All the while Pendle was proudly overlooking its gentle foothills. For more of Downham read here.
An ideal walk for a perfect Spring day, though I don’t think I’ll be out for a while as my knee has played up.
In less than 20 minutes it is reported that 241 died and 392 lay wounded from the 700-strong Accrington Pals battalion of the East Lancashire Regiment on the first day of the Battle of the Somme, July1st1916. Lord Kitchener was responsible for devising ‘Pals’ battalions from the same neighbourhood so that recruits could fight alongside their friends. Unfortunately, when there was a massacre, losses were concentrated on single towns. Accrington was one such town. More of that later – but first I have a hill to climb, Great Hameldon, another chapter from Mark Sutcliffe’s Cicerone book.
I have parked up just below Peel Park and find my way up woodland paths to the view point and Peel Monument. The crowded streets of Accrington slowly retreat down below. There is also an unexpected trig point up here on the Northern rim. I then follow the edge of the hill around above the A56 speeding though the gap below, a road familiar to me with the quarried walls either side. There is a way under the carriageway and I head up to, but circle around and above, the farm onto Moleside Moor. Behind a wall are a couple of ‘slate poems’ but I think from a different pen than the ones around Longridge. Rough ground and then bog bring me to the base of Great Hameldon for that steep ascent to the trig point. I’m not sure whether I have been here before. All is space with extensive views, unfortunately hazy despite the bright sunshine and strong wind. Pendle always dominates, and away to the East is the weather station on Hameldon Hill. There is nobody else up here except the skylarks, singing above me.
From the trig, a vague path takes me south to a wall next to an ancient well. //thejournalofantiquities.com/2015/03/01/mary-hoyle-well-hyndburn-moor-lancashire/
Strangely, a reservoir to the right has been decommissioned. Then I’m on a sunken bridleway passing through a quarried landscape. I have to get across the busy A56 before following a golf course to find myself in a housing estate. The guidebook sees me through this maze, out through Lounds Wood and into Haworth Park below the House which serves as an art gallery.
This brings me to the second part of my post. A friend visited the Haworth Gallery recently and commented on their unique collection of Tiffany Glass, all unknown to me. Time for a visit, this walk happens to come this way – how convenient.
The Haworths were successful mill owners and William had Hollins Hill, now the Haworth, built in a Tudor style, by Walter Brierley in 1909. He lived there with his sister, but died in 1913, followed by his sister in 1920. The house and its collection of paintings and antiquities were bequeathed to the people of Accrington. It has remained a gallery ever since, with preservation and restorations over the years.
The link to Tiffany is through a Joseph Briggs, born in Accrington in 1873 and until he was 18 worked as an engraver in his father’s Calico printworks. He then emigrated to America and in due course was employed at the Louis Comfort Tiffany glass works, famous for innovative art nouveau design. Briggs did well at Tiffany’s and when Tiffany retired in 1919 Joseph was in charge of Tiffany Studios producing windows, mosaics and lamps. Fashions changed, and the company faltered in 1932. Tiffany died in 1933 leaving Briggs to dispose of unwanted stock, throwing much of it away. But then he started sending some of the finest pieces over to Accrington.
Joseph Briggs died in New York on 28 March 1937, aged 64. Originally the collection was displayed in Oak Hill Museum but later sent to the Haworth Gallery only to be packed away during the Second World War. It was only in 1976 that this world-famous collection of Tiffany Glass went on show again.
The house itself is imposing, with views across the valley to Great Hameldon and my morning’s route. The grounds are extensive, and apparently the rose garden has to be seen in season. But today I am more interested with the interior; wood panelled rooms, feature fireplaces, a curving staircase. A welcome from the friendly staff, and I’m off to their in-house café for a coffee. This seems a popular meeting place for lunch, the plates all looked very appetising.
Revived, I commence my tour of the Tiffany Collection. The history and techniques were fully documented, and the variety and styles of glass was amazing. Only later did I notice that photography was not allowed. In any case the shades, different lustres and forms of the glass have to be appreciated directly. The collection filled rooms on the ground floor and spread up to the next floor. The elegance of the rooms fitted well with Tiffany’s artistry.
Also up here was an exhibition of watercolours in the corridor and oils in one of the adjacent rooms. These were the work of a Paddy Campbell and depicted scenes from the local moorlands. Some robust, larger oils were very impressive, interpreting the wildness and lighting perfectly. He has definitely been out there capturing the magic. This temporary exhibition had just opened and the artist himself was wandering around, all too pleased to expand on his canvases.
Before leaving, I visited in the grounds an Accrington Pals Memorial, which brings me back to my introduction to this post. This is a replica of one in Serre (built with Accrington Bricks), on the site of the battle of the Somme.
Farther down into town, I came into Oak Hill Park, where on the highest point was a war memorial erected in 1922. Tablets name 865 fallen from World War I and additionally 170 from World War II. One further name has been added, for Northern Ireland, and two from the Falklands Campaign.
Soon I was in the centre of Accrington and its grand stone Victorian buildings from the cotton era, where next to the church was a further smaller memorial (2002) to the Accrington Pals and other Lancashire regiments losses.
I had a slow trudge back up through the streets to find my car.
Most people climb Nicky Nook, north of Garstang, for the view; Lancashire’s coastal plain, Morecambe Bay and the southern Lakes. I’ve been up it many times and that was my intention today, the sun was shining, and the weather set fair. On parking, I did a time check on St. Peter’s Church spire, 10.45. Yes, this is the familiar spire seen as you speed up the M6. Built in 1878 by the well known Lancaster architects Paley and Austin.
I’d walked a few hundred yards when it started to rain. I’m on the Wyre Way again. By then I was alongside the squat Wesleyan Methodist Church, built in 1843 when Methodism was strong in the area, there was no pub in the village. Here was a map of the three churches in Scorton – the next, the catholic St. Mary and St. James, 1861, was just up the lane. It seems half hidden behind the substantial priest’s house.
The three churches in order of appearance…
I’d become distracted by church history. Time to get going on my walk, another from Mark Sutcliffe’s Cicerone Lancashire guide. Crossing the motorway, a couple asked me the way to Nicky Nook – I pointed them in the right direction even though that was not my route today, I was going round the back on quiet lanes. Conversation drifted to the weather, we are British, after all. She postulated that as we were close to Morecambe, the tide was probably coming in – hence the rain. I’m still pondering on that.
Going my own way, I passed by the Wyresdale Estate offering a café, wedding venue, fishing, woodworking, personal training and much more. I’m not totally comfortable with commercialism of the countryside. Brought up tramping freely on the moors, wild camping and nature watching, it doesn’t fit easily into my psyche. But judging by the number of SUV’s parked up, there is profit to be made through nature.
The rest of the morning passed as I used public ways around the back of Nicky Nook. But trouble was brewing when a large gate appeared across the track I was following, a way through was grudgingly available to the side. Timid walkers may have turned back at that point, which was probably the intention of the owners. This farm then took it upon themselves to divert the footpath away from their property, now a country residence. The sign said the right of way still existed through their yard, although that was contradicted by a sign saying guard dogs running loose. I felt pressurised to follow the diversion, which in fact turned out to be quite pleasant. But the point is that the landowners rather than pay for an official diversion, which they may not be granted, act in an almost threatening way. ‘We are rich, and we don’t want you on our land!’ I am concerned that Lancs County Council, funded by the public, are apparently complicit with this outdated view. An update to Mark’s guide is needed.
Rant over and I soon made good progress on my quiet way into the foothills, I still hadn’t met another walker. You are right on the edge of the Bleasdale Fells up here. I surprised myself at the speed I reached the trig point on Nicky Nook. It was here that I met with the steady stream of people walking up from Scorton, header photo. Additional adornments are starting to appear on trig points which affront my personal sensitivity. I would have removed them if I’d been alone, but it felt churlish to do so in the company of the other eager summiteers. There was little view, it was freezing, so I quickly turned around and set off down to Grizedale.
Edge of Bleasdale.
The artificial reservoir looked black and barren, but the valley lower down, with its sparkling beck and native trees, was a delight. I struck up to Higher Lane, popular with hired dog walkers, Slean End and through the fields to the road where I’d parked. Just then, the sun came out.
I had time for a good coffee from the Covid Citroën parked up in the village.
Sunday and I take the easy way out again as lunchtime comes around. I pick another walk from Mark Sutcliffe’s Cicerone Lancashire guide. Not wishing to drive far, I find a low level circuit from Great Eccleston in the Fylde. It turns out to be one of the flattest routes in the county, with only a few feet of ascent on the return leg. It was good to get this rural walk out of the way before the cattle are put out into the fields.
My plan when I revisited this book was to maybe do one walk a week as an incentive to get me walking farther, but somehow I’m up to number four in just over a week. So far I’m impressed with Mark’s style, he has chosen well, and his directions have been spot on – suitable for the casual walker. Today’s walk was complicated in places, and yet I didn’t put a foot wrong.
I find a place to park in the main street only to see it is an electric charging point. Having moved the car I walk out of the village past the old pinfold, on across the main road and down a well-used, dog walkers mostly, path to the river Wyre. Here is a fairly unique private toll bridge next to the Cartford Inn. The ‘cart – ford’ prior to the original C18th bridge. In the grounds of the inn are modern staycation ‘pods’. I recognise these from a walk I found for myself last winter, or was it the one before – the pandemic seems to have confused my recall.
Easy walking along the riverbank to a footbridge where I crossed to the road near the extensive and impressive, possibly haunted, grounds of White Hall. I often wonder who owns these multi-million pound properties – Russian oligarchs?
Using farm tracks, I joined The Wyre Way, linking farms in this flat rural landscape. This is the way I should have come on my disastrous attempt on this section when I almost drowned and then lost my map, leaving me with no alternative but to follow the road.
The guidebook said, “head for the grain silo” and it was correct, the silo stood out across the field, one of the tallest I have seen. In the distance were the Bleasdale fells, everywhere else was flat, a strange landscape for one accustomed to the hills.
Turnover Hall was next. There were duck ponds with piles of grain to fatten the birds before they are shot. The Hall is surrounded by hundreds of caravans, whether for sale or in storage I couldn’t make out. Oh, and just for good measure, the obligatory junk waiting to be recycled.
I rejoin the Wyre embankment and walk into St. Michael’s, arriving at the road bridge near the chocolate box cottages and the Medieval church across the way.
You know I like an interesting church when I see one, this one is Grade I listed. It is thought a church existed here, near a safe river crossing, from 640AD. The Domesday book mentions a church on the same site. The present structure dates from the C15th. When you enter the church, the most obvious and unusual sound is the loud ticking of a clock, the giant pendulum hanging on one side of the tower. There are two naves and a northern Chapel. This Butler chapel has older Medieval stained-glass fragments, seemingly randomly incorporated into the windows. In the same window is a C16th Flemish sheep shearing scene. In the west wall is a striking modern window depicting the parable of the ‘sower’. Outside is a ‘Norman’ door and an ancient mounting stone. In the graveyard are three unusually shaped graves, these are the ‘Soldiers Stones’ dating from 1643 when a Spanish ship was wrecked on the Wyre estuary and thought to be for Spanish sailors.
Time to move on, and I take a lane heading towards a large modern house. Whoever built it had visions of grandeur now biting the dust, the house being an empty shell.
The rest of the afternoon I follow drainage dykes across the landscape, eventually to rejoin the Wyre for the last time before re-entering Great Eccleston. The two bulls face each other across the high-street, with a period Austin7 on show.
That’s quite a lot for a lazy Sunday walk in this quiet corner of west Lancashire.
I don’t often stand on the summit of Parlick Pike. If I’m heading up to Fairsnape and beyond, I take the easier traversing path bypassing it to the west, overlooking Bleasdale. But today I’m following another of Mark Sutcliffe’s walks from his Cicerone guide. I’m having a lazy week and doing walks without any planning on my part, just follow the guide step by step. Marcus Tullius Cicero was a Roman statesman and scholar. His extensive writings showed learning and eloquence and the term Cicerone, to guide and explain, came to be. Hence, the name of the guidebook dynasty started by Walt Unsworth and Brian Evans.
So I’m stood on the pike, 432m, the wind is trying to blow me off it, but the sky is clear, and the sun is bright. A perfect Spring day. The hard work is done, I can enjoy the rest of the afternoon on one of my favourite walks. This circuit used to be my once a week fell run years ago, I’m just pleased that I arrived here today without stopping, well apart from those sneaky photo stops. Strangely, I nearly always did it the other way around – I’ve looked into the reasons for choice of route recently.
Down into the dip and then a choice of routes either side of the wall, dogs one side and not the other, but I never understood which or why. The wall is a masterpiece of construction, stretching up towards the summit of Fairsnape. I remember once seeing a squirrel running along the top of it, bound for Fiensdale?, there is not a tree in sight along the ridge. These walls and fences are excellent handrails when the fell is in thick mist, which it often is. The wind is too strong for the parapenters or gliders, so I have the space and the views down into the bowl of Bleasdale to myself.
The grass has taken on that dry straw colour regularly seen after the winter months when the sun shines on the steep slopes. I was so taken by it a few years ago that I asked a local artist, Rebecca Wilmer, if she could interpret it on canvas. She knew exactly what I meant, and in fact had some slides she had taken of the very hillside matching mine. A commission was agreed, and I proudly have the painting in my living room, not everyone sees it in my eyes or the artist’s, but I saw it up here today.
There is a distant haze from the summit of Fairsnape, 510m, but I know where Blackpool Tower, Morecambe Power Station, the Isle of Man and Black Coombe should be, so I don’t have to linger in the biting wind. Shapes emerge from the summit shelter, where they have been enjoying a sheltered lunch. I was last up here in June last year, when I spent a cold night bivvying near the cairn. But of course this is not ‘the summit’, to visit it you have to run the gauntlet of the local peat bogs in an easterly direction until some stone flags appear leading you to the highest point, 520m. Since my last visit, a large cairn has been built and there is a board telling you how efforts are being made to stabilise the peat hags and reduce the water run off.
It’s all downhill, literally, from here. A good manufactured path leads to a fence from where sunken tracks head on down Saddle Side. I pass the ruin with a tragic history. It is good to be out of the wind, skylarks are singing and once the fields are reached the sound of curlews and lapwings stir strong memories of the upland countryside of my youth. A dip into the valley of Chipping Brook and then the Wolfen estate road leads me back to my car. Wolfen Hall lies below Wolf Fell – possibly the last stronghold of wolves into the C15th.
I followed Cicerone’s guide easily, but I had to branch off to visit the highest point. Mark does not include this in his instructions, but his map does. Ah well, people will find their own way.
Decision time – straight up.
Parlick summit with Fairsnape behind.
That dry yellow grass.
Fairsnape summit’s furniture.
Boot sucking peat.
A reminder that the area was once a military firing range.
Point 520 m, with Totridge Fell in the distance.
The tragic scene on Saddleside.
Spring in the valley.
Artistic impression from Parlick. Rebecca Walmer. 2010.
Another day, another walk. I was liable to miss the best of this sunny day as I procrastinated in bed with coffee and news feeds on the Ukraine disaster. I feel ashamed to be British as we turn away refugees at our border, Priti Patel is not my favourite politician. I would be all too happy to offer up a couple of my rooms for the most needy, as have done hundreds of Germans. Bugger Brexit and Boris and Putin.
To salvage the day and my mental state, I pick up that volume of Lancashire Walks published by Cicerone. What about 6 miles from Rufford, visiting a nature reserve I had no knowledge of despite being a supporter of Lancs Wildlife Trust.
I park up next to Rufford St. Mary’s Church, which is open to the public today. When I was last here, I learnt of the choir in the past accompanied by musical instruments, including a bassoon played by a Richard Alty. Apparently, the said bassoon is preserved in a case in the church. I was disappointed that I could not find it.
My next disappointment is that I did not visit the NT Rufford Old Hall; instead, as the day was slipping by, I set off along the Leeds Liverpool Canal and looked across to the hall which had a fantastic display of purple blue crocuses in their grounds.
I stretched my legs along the busy towpath, with flat fields all around. To the east, Winter Hill and Great Hill were prominent, but Longridge Fell looked a long way off. Soon I was heading inland and along Sandy Lane. All straight lines and winter fields.
In a yard of lorries, the owner talks of high fuel prices and a lack of drivers. Boris, Brexit and Putin again. He has an awful lot of money tied up in those vehicles.
My entry into Mere Sands Reserve was by the back door over a little footbridge. I hung my binoculars around my neck to look professional. In Medieval times, the whole area was part of Martin Mere. Attempts to drain it commenced in the C17th, and it was planted up as woodland as part of the Rufford Hall Estate. In 1958, it was sold for sand extraction which created the lakes and in 1982 sold to Lancashire Wildlife Trust for a nominal fee, thus creating the reserve we see today. The path winds around the back of the mere, where a hide looks out onto the waters. There are ducks and geese in the distance. Farther on, I came across a couple hand feeding the robins. Coots are diving. All part of a busy little reserve. The café was too busy for my patience, so I carried on to the far end of the reserve. My only criticism is that there were not many places where you get near enough to the water. Oh, and the adjoining roads sound like Silverstone with all the Sunday racers, very distracting.
The abandoned observation post above is of unknown vintage. I found a path alongside a dyke which leads me through the fringes of Rufford, somehow Venice came to mind. And then I’m back on the canal, which has been drained for this stretch, along past the Marina, and I was back into the village. The Hall had already closed, some other time.
What a pleasant way to spend a sunny Sunday afternoon. Another thumbs up to my new Cicerone guide.
Salt’s Mill. Oil on two canvasses. D Hockney 1997.
Titus Salt was born in Morley on 20th September 1803, the son of a successful wool merchant. He joined the family firm, which became one of the most important worsted companies in Bradford. He took over the running of the firm in 1833 when his father retired, and eventually owned five mills in Bradford. The city became a horror story of the Industrial revolution, with poor working conditions, squalid housing, polluted air and water supplies. Life expectancy, of just over eighteen years, was one of the lowest in the country.
To improve matters, Titus decided in 1850 to move his business to a green field site where he built an industrial community on the banks of the Aire and next to the canal. Salt’s mill, Italianate in style, was the largest and cleanest in Europe. At first his 3,500 workforce travelled from Bradford, but to improve their lot over the years he built housing for them. He integrated into the Saltaire village: parks, churches, schools, hospital, almshouses, railway station, public baths, libraries and shops. But no Public House. Clean water was piped in, gas for lighting and heating, and outside loos for every house. He did charge a rent for his properties but provided superior living and working conditions, a model of town planning in the C19th.
Titus Salt died in Dec 1876 having given away much of his wealth to good causes. The business continued under his sons but over the years declined, wound up and sold to business syndicates in 1893. Textile production continued into the mid C20th and finally closed in 1986. The village itself had been sold to the Bradford Property Trust in 1933 thus enabling the houses to be bought by their occupiers.
An outstanding entrepreneur, Jonathan Silver, bought the Mill the following year and within months opened a gallery exhibiting the work of his friend, Bradford-born artist David Hockney. With Silver’s enthusiasm, the mill developed into the vibrant space we see today. He died young, but the enterprise is still run by his family.
Saltaire was added to the UNESCO World Heritage List in 2001, recognised for its international influence on town planning.
Well with all that write up it was time I paid a visit to Yorkshire. A wet Sunday in February was chosen. I drove through the floods down the Aire Valley. You realise the scale of the mill and village as you pull off the hectic suburban road. The car park was busy despite the foul weather. As well as the historic buildings and the connection with the artist Hockney: the mill now houses cafés, upmarket retail outlets, artist materials, an excellent book selection, antiques, cycles etc. All waiting to make a hole in your wallet, though the parking and entry are free. I had come basically to see Hockney’s artworks, but was impressed with everything else that was on offer. Everything is on a grand scale here, from the size of the stone building blocks to the massive indoor floor spaces.
You enter into the long ‘1853 Gallery’ with works by Hockney from different periods as well as a large selection of artists’ materials, all under the gaze of Titus Salt. The walls are all windows, so ingenuity has been needed to display the Hockney pictures. Time to get used to the large scale of this place.Hockney started his career at Bradford College of Art school (1953–57) and the Royal College of Art, London (1959–62), Portraits have always been an important part of his works and some early examples are exhibited here…
Red Celia. Lithograph 1984.
Margaret Hockney. 1997 oil on canvas.
…as well as some of his more recent computer generated portraits.
The next floor up was a gigantic book and poster shop where I had to be extra strict with myself. The queue for the diner looked daunting. Somewhere behind in the depths of the mill was an antique centre, an outdoor outlet and an upmarket home and kitchen showroom.
Having manoeuvred around all these, I arrived in a long gallery with some of Hockney’s abstract offerings from his time in Malibu Beach.
Round the corner was a stunning ceramic installation depicting Batley and Bradford by Philippa Threlfall, 1972.
I eventually found the way up to the top floor where I sat and watched a video of the history of Saltaire from which I gleamed my information for this post. In the next room were some historical artefacts.
As you move around the galleries, there are views out of the windows reminding you of the extent of this building and the surrounding village.
The major Hockney exhibition was on the top floor. In the first space was a video presentation of his iPad and iPhone pictures using the brushes app, which he emailed to friends. They came up three at a time and were a variety of vibrant styles.The larger exhibition was entitled “The Arrival of Spring” – a series of iPad paintings done on different days from his car parked on a Yorkshire Wolds lane from January to May in 2011. He made the most of the portability and speed of using the hi-tech iPad, capturing subtle changes in the light. He was able to print them out on a large scale
“These pictures celebrate fleeting moments of intense beauty, and remind us of the importance – and the joy we get from looking closely.”
I’m ready for Spring – aren’t you? Worth clicking for enlarged images.
I came out of the mill to a broody winter day with hail showers moving in. I wanted to have a look at some nearby Saltaire streets, under the shadow of the mill, before the light disappeared. The terraced houses were obviously now desirable properties, and the shops on Victoria Street appeared prosperous. Chic Yorkshire.
Next time I will give myself more time – a grand day out.
For the third week in a row, we head to the Darwen Moors to complete another part of the footpath jigsaw. This time we park in Abbey Village, as do another 30 or so cars – a Bury rambling group is meeting up. The classic walk out of Abbey is through the Roddlesworth woods, past reservoirs, on route to Darwen Tower. We just managed to get a head start on this section.
Today we were heading in a round about way to Tockholes, that elusive village in the rough pastures west of Darwen Tower. Nobody just happens to drive through Tockholes, you have to search it out via narrow walled lanes, best done on foot as we were.
It is thought from archaeological findings that Tockholes was an ancient settlement from the Bronze Age. What is certain is that a significant Civil War battle took place nearby in the C17th, the remains of horses, cannonballs and bullets were found in a field in the village. After that, it became a centre for weaving and silk production. So what could we see today, there are over 20 listed buildings in the vicinity.
We entered the village from the moors above and came down Silk Hall Lane. The buildings here showed evidence of top floors used for weaving, with those long windows.
The footpath leading down to the rest of the village was a nightmare of awkward stiles and barbed wire, which were difficult for Poppy, the Airedale. Our thoughts turned to Sir Hugh and his wire cutting equipment. We were relieved to emerge opposite the grounds of St Stephen’s Church. Dating from the reformation in the mid 16th century, It was rebuilt in 1833 but fell into disrepai