Let me stand again on Winder, in the magic summer breeze, Feel once more the stones and heather, watch the bracken and the tree ; Let me see again the river, and the fields and walls and farms, Sedbergh, let me feel you near me, let me take you in my arms.
A poem written in 1954 by Tim Birdsall, a former pupil at Sedbergh School. I find this poem more resonant than the oft-quoted lines from Sedbergh’s celebrated public school’s song – Winder. Sedbergh School has just celebrated its 500th year.
It is Cautley, Calf and Winder, That make the Sedbergh man.
Sedbergh and its school are closely bound to Winder, the hill overlooking them. By tradition, all pupils of the school need to climb Winder at least once during their time at the school. I don’t think I have ever climbed Winder from the town; I’ve often come over it returning from a longer excursion in the Howgills. Time moves on, and today I’m happy to wander up and over the not-so-little hill.
There seems to be a lot of activity in the town – it is the annual Sedbergh Hills Race. They have already set off on their 14 mile/6000ft course.
After Lockbank Farm, I plod up above the wall the long way round, before starting the steeper track to the top of Winder. Fortunately, the paths are well trodden through the prolific bracken. From lower down, there appear to be several false tops to Winder; there are. I stop often to watch the town disappear below me, and to take in views of the Lune Valley, and all the other hills that surround Sedbergh.
At the trig point, a gaggle of people man the final checkpoint for the fell race. There is a trig pillar and a toposcope up here; the views are extensive, but I don’t linger. A little further down here comes the leader of the pack; I cheer him on, whoever he is. He is more than five minutes ahead of the others; of them, I only see a few – the pace must be hot today.
I baulk at the 500 ft ascent to Arant Haw and instead take a green track toward Settlebeck Gill, with Sedbergh way below.
This is exhilarating as it clings to the edge of the deep ravine. My only complaint is that little water flows down there at present in these heatwave times. It must be more impressive in winter after heavy rain.
Now taking a lower track, I drop down into the Gill, here less fierce than above. The route is popular with numerous people ascending and following me down.
I do a little dogleg across the stream, where most people seem to go straight on, and find myself on a path through ancient woodland.
At its end there in front of me is the wooded mound of a Motte and Bailey, c1100, Castlehaw. Not that easy to make out!
A bunkhouse nearby offers accommodation for families and friends to get together, an increasingly popular way to share time.
The footpath goes through their garden before disappearing into the woodland again and coming out on the edge of Sedbergh through a lovely old iron kissing gate.
Even taking a footpath below Castlehaw, there is little to see in the trees of the Motte and Bailey.
Strolling through the main street, I studiously avoid any of the bookshops.
Instead, I make my way to St. Andrews parish church. A Norman doorway leads me into the tall aisle of the church. The present church dates mainly from about 1500. The Lancaster architects Paley and Austin carried out a major restoration in 1885–86.
Above the altar in the east wall is a distinctive stained-glass window, with the one picture in the five lights. It depicts Christ calling to Andrew and Peter, the fishermen. Thought to have been installed about 1890 by Henry V Miller.
Several other bright windows line the side walls.
On the North wall are two large, fairly recent embroideries created by a band of local stitchers, depicting local scenes and architecture. Fantastic detail.
My way back to my car takes me through some of the grounds of Sedbergh School. Lancashire CCC uses their cricket pitch on occasion each season.
And this is the school’s view of Winder, a tough little hill in the bosom of the Howgills.
My greatest regret is not visiting his exhibition in Edinburgh last year. Enough of the links until the end.
For me, there is always more to discover, such as his series of sheepfolds along an old droving lane, Fellfoot Road, above the Lune Valley and Casterton. I find a map on his website.
16 sheepfolds on one lane- what more could you ask for? Now who could I interest in this project? Yes, of course, my friend C, the ‘slate lady’. I’d better make room in the car for her shared dog Zola, a veteran of our escapades.
“There are numerous sheepfolds tucked in the corners of fields along Fellfoot Road, near Casterton. I have never seen such a concentration of folds. These small, simple enclosures are connected to a walled track, like rooms attached to a corridor.
I would like to make a work that answers the rhythm of these repeating sheepfolds and is perhaps evocative of the movement and passage of sheep brought down from the fells and driven along the track.
Large boulders sit in the adjoining fields like scattered sheep. I propose to place one large stone in each of the enclosures that I make or rebuild. The gesture will be like an arm gently gathering a stone into one corner, protecting it.”
On arrival, morning coffee is taken from a flask at the back of the parked car; needs must. I think we are in Cumbria. The start of the drove lane is a few yards from our lay-by. A steep beginning as I pant behind the sprightly C; Zola is way ahead.
Thankfully, I can call a halt when I spot our first sheepfold. The only clue is a stepped stile in the adjoining stone wall. Zola is immediately keen to explore, jumping into the fold and finding her way through the hog hole. Inside the four stone walls is a rather small boulder.
Apparently, these boulders – there will be more – were retrieved, dug out of the hillside above. It is difficult to believe. They seem to be sandstone, whereas the walls of the folds are limestone, the bedrock at this height. The sheepfold is a reminder of the agricultural past, and the boulder may draw our attention to the sheep within it. One down, fifteen to go.
Turning the corner, the fell lane disappears in a straight line between its stone walls. One to stride out on, but today we have folds to find. The next fold has a much more impressive boulder.
The lane is a regular dog walk for this lady.
The folds come at regular intervals in the fields either side of the lane. Each one is accessible by a stone stile through the wall, some easier to climb than others; though Zola is first through everyone at a pace—obviously a fan of Goldsworthy.
Though the folds are very similar, the boulders in each are of different sizes and have different contours. Some are pockmarked; others are covered in moss; brambles and other vegetation hide a few. We are eager to view each one, a small discovery every time. They are not easy to photograph, and in any case you would soon become bored with sixteen boulders. This is one piece of art that you have to walk through physically, as I’m sure Goldsworthy intended. I wonder how many come this way; it’s cheaper and healthier than visiting any gallery.
We wander on down the verdant lane.
These little white flowers are new to me. Achillea ptarmica – sneezewort. On the rougher upper fields, a few boulders can be seen; on the other side are real sheep.
One boulder about halfway down is crying out to be sat on; it becomes our luncheon stone.
Look at the lichens…
Refreshed, we move on, crossing the narrow road that leads to Bullpot Farm, a caving centre with access to a network of underground passages. Our fell track changes character here, becoming more open and for some reason less trodden. The bracken and flowers are almost taking over – delightful. It takes a bit more determination to reach the connecting stiles, but we find three more folds.
We come to a gate and ahead are sheep grazing; time to put Zola on her lead. After having mildly mocked me for misplacing my map a way back, C is dismayed to find she has lost the dog’s lead. Oops. She is happy to wait for me to continue to the few remaining folds, but there’s no fun in that; I’ve lost count anyway, so we begin to retrace our steps. Was it left at our lunch stone? No. Was it left further back when she climbed a gate for a better view of one of the boulders? Thankfully, there it was; Whoo, otherwise, I was planning to bring some farmer’s binder twine into an improvised use purely to impress Sir Hugh.
We retrace once again to Bullpot Lane and cut our Goldsworthy quest short. Honours are even, I think. But what is in store down this quiet lane?
Well, first we meet the sheep farmer and his sheepdog on their quad bike at Fell Yeat Farm. The usual pleasantries over, we quiz him about the sheep folds. He is knowledgeable, but perhaps envious of the thousands-of-pounds grant that Goldsworthy received for the project. A large digger was employed to unearth those giant boulders and move them to their present and forever resting places. Fighting hard to make a living up here, I suspect he took a somewhat jaundiced view of the work. Anyhow, warming to our interest, he talks freely of the life of a sheep farmer in these parts. Next thing, we are in one of his barns, examining fleeces and discussing the profit margin, paying the shearers, and selling the said fleeces. There were two lots of fleeces from different yearlings, but I don’t remember the differences between them. The good news is that prices are on the up. Invest in wool.
He is proud to tell us of his wife’s recent achievement of completing the Three Peaks on a whim, having only set out to climb Pen-Y-Ghent. Somehow, the talk switches to train journeys to Leeds, direct from not-so-far-off Wennington Station. And did they have a son in Australia or Canada to visit? By now, we have to make our excuses and be on our way.
Throughout this time, his sheepdog sits patiently on the quad bike. I don’t think Zola would have been over-friendly to him; you never know.
Fell Yeat Farm.
Fleeces.
We have only walked 100 yards when a sign proclaims Brownthwaite Hardy Plants.
To us keen gardeners, that is like a magnet; we are drawn in. The man is friendly and inviting even though we, as passing walkers, are unlikely to make a purchase. It is a pleasure to explore what is probably called an old-fashioned nursery. Forget your garden centre; there are gems around every unexpected corner. It is difficult to know where the nursery ends and his garden begins. Hydrangeas are a speciality. He has added his own artistic touches wherever we look. Lots of interesting ironworks are incorporated and for sale. I’m surprised we both don’t come marching out with an iron poppy head each.
Again, like his farmer neighbour, he is keen to chat. I suspect not many people come this way. He is passionate about his plants, so he should be, and the environment in general. His little terrier takes a liking to Zola, so all is calm.
Sorry, I have to insert another unexpected link to his nursery.
We stroll back, picking the occasional delicious blackberry and even a juicy plum. It’s one of those days.
This was our route with the backtracking highlighted, and the two interactive episodes arrowed.
I know from a previous visit of another Andy Goldsworthy sheepfold nearby in Barbondale, so we drive to have a look. Instead of a boulder inside, we find a sheep, temporarily.
*
*
I realise it is a little cheeky, but may I use this post for my 52 Ways to Walk: Walk With a Dog? Zola added to the day’s enjoyment with her enthusiasm. I know I wasn’t in charge, but there was plenty of interaction. The episode, with or without the dog lead, gave the day a different dimension. Walking with a dog anywhere often brings added conversations, as with the lady and her two dogs early in the walk. And of course Zola was a willing photographic model and deserves to be in my headline photo. Looking back through my posts, I’ve had Days Out with Poppy, Pixie and Tilley, all friends’ dogs. My cats stay firmly at home.
I have driven past this little church so many times in the last few years on my frequent travels to and from Sedbergh. It is just east of Lincoln’s Inn Bridge on the A684 coming from the motorway.
Built in the early 1860s by the Upton family of Ingmire Estate when the LNWR Ingleton to Lowgill branch was being constructed. The railway company had sent a Mr Foyers as a scripture reader to the navvies. (Some 1,600 navvies were used to build the 18-mile line) His gospel preaching attracted many local farmers as well as the rail workers. On completion of the line in 1861, the farmers pleaded with Miss Upton of Ingmire Hall to have him stay. Hence, the church was founded.
Originally consisting of a chapel and a school room, which were combined at the turn of the century, when most of the stained glass and furnishings were installed, and the porch was added. The original architect is unknown. The church is strangely attached to a cottage on one side.
In 1917 the Upton family transferred the church from their Ingmire estate to the Church Commissioners, and it was consecrated in 1918. It was declared redundant in 1992 and is now under the wing of The Churches Conservation Trust—with a history spanning 160 years or more.
The other day I made time to stop and have a look around the church.
As I said, it is attached to its neighbouring cottage, and a large barn across the way is being renovated. It is not your typical rural church. The roofline has a raised glazed Lantern structure. The porch is not in scale with the rest of the building. All rather odd – perhaps, as is sometimes mentioned, the architect was employed by the railway.
The porch door has a fine knocker.
Churches Conservation Trust.
Once inside, it looks a bit gloomy; perhaps I missed the light switch. All is very plain, with a straight nave to the chancel and altar with no real transept. The original pews have moulded ends and carvings from the early 20th century.
But then I became aware, or even awed by, the stained-glass windows on the west wall. All showing some Art Nouveau influence, I thought. The subjects were of a natural rather than religious nature. Each window was elaborately framed in wood on the inside, like a picture.
Looking back at the north wall were two more similar windows.
Later research indicates that the four in the west wall and the two in the north wall were certainly the work of Frederick George Smith, the principal designer of windows for the London firm of Campbell, Smith & Co.
Hills, clouds, rivers, plants, flowers and birds are all colourfully depicted – with the intent of leading people to God through the delights of nature.
The more conventional figures of Fortitude and Justice by Morris & Co., in the chancel wall and another window in the porch, Peace, probably also by Morris, have a more direct moral and religious message,
But what a selection in such a small church. A real wow factor and totally unexpected.
I have been reading about awe in my 52 Ways to Walk book; I’m over halfway now, you will be glad to know. This week: Seek Out The Sublime. We have all had awe-inspiring moments whilst walking: a spectacular sunset or sunrise, distant blue mountains, a hidden waterfall, glorious cloud formations. Even the smallest things can be marvelled at: lichens, insects, raindrops, a rare flower, the flash of a kingfisher. The outdoors is apt to produce sublime moments you don’t get watching television, one of the joys of walking. The more curious you are, the greater the chance of something inspiring you. And have you noticed how these moments stay in the memory?
The walk I completed that day was set in spectacular scenery and was full of interest, but nothing awe-inspiring occurred. Until I stepped into this little church.
Whilst having lunch perched on a boulder, along comes a lady walking her dog. It turns out she lives in one of the restored farms in the dale spread out below. This is Grisedale or Grisdal to the locals – everything gets shortened up here. I’ll describe my route up to here later. But first I find out about the history and more from this chatty lass. She has lived here less than a dozen years so is still a newcomer. In the 19th century, the valley was a marginal farming community of about 15 families. There was some mining and lime burning, probably as an ancillary to the farm work. There was a Quaker Meeting House and a Methodist Chapel. In the C20th, economic events, severe winters, and an ageing population led to most farms being abandoned. She tells me that even the stone walls were destroyed for the stone to be used by builders elsewhere. By 1960, only two farms were populated.
By the early 1970s, only one farmer remained living and working in the valley, and he was featured in a Yorkshire Television documentary by Barry Cockcroft, The Dale that Died. Cockcroft said that Grisedale was “the most romantic dale in all of Yorkshire…complete in its unspoilt beauty, serenity and vivid history”
But the dale didn’t die, and in the latter decade of the 1900s, people bought farms and houses and created new homes. It seems to be a close-knit community now, tucked away from the hustle and bustle.
Grisedale in 1890.
*
What am I doing here today? Well, I’m exploring the upper reaches of Garsdale from where the river Clough flows down the valley to Farfield, where it joins the Rawthey. Sir Hugh and I are planning a walk to follow the Clough. The south-east slopes of Baugh Fell give rise to streams that feed the Clough. A prominent one of these is Grisedale Beck, joining the Clough at Garsdale Head. He has already walked this way; I’m just catching up.
There is ample parking at Garsdale Station, but at the back of my mind I wished I had come by train. (Bus Longridge to Clitheroe: 50 mins. Train Clitheroe to Garsdale: one hour thirty – so up to three hours) Anyhow, I’m here and walking down the lane. Even though I slowed down, I never saw a Red Squirrel.
I go through a small gate into a reedy field.
There will be many reedy fields today. But there is a clear path which takes me up the hill to a stile in a wall. I’m now in the bowl of lower Grisedale with the river down below. There is no sign of Clough Force as the river is virtually dry this month.
I keep following well-signed paths through the rough reedy fields. Blake Mire house is being renovated but seems to have difficult access. Other farms are disappearing slowly.
I come out onto the minor road at Rowantree. A short stretch on the road to Moor Rigg, before I cross fields alongside the Grisedale Beck towards Reachey; there are some nice names around here – I wonder at their origins.
Reachey looks a grand renovation, making use of a derelict barn wall in the design. But it would be reachy to get here in a hard winter.
The path onwards is a delight alongside the beck, full of flowers and rising butterflies.
Ahead is the copse surrounding the ruins of East and West Scale, accessed by an old packhorse bridge.
The path starts to climb away from the beck and becomes rather sketchy; not many people come this far. A strange, unnatural-looking pile of stones is crossed. (My informant tells me later that they were probably left over from when the walls were being exported elsewhere)
The path ends at the ruins of Round Ing.
I get a little off track, if there is one, as I climb the rough fields back towards Flust. There is a good view down to the Scales ruins. Flust is at the end of the valley ‘road’ and is merely a barn. When the valley was depopulated, the farmhouses that were no longer occupied fell into ruin, but the barns still had agricultural value, so many were saved. The land is now farmed from elsewhere, with the stock brought here each year.
I follow the rough track back eastwards until I find that stone to rest on for lunch and view across Grisedale to Ingleborough and Whernside in the background. “the most romantic Dale in the whole of Yorkshire”
It is whilst I’m in this reverie that the lady and dog appear. We walk on together for a while and probably spend about an hour of interesting talk. As well as all the local information, she introduces me to the fell ponies wandering up here. From this vantage point, she looks down on ‘her’ Dale, recognising any cars coming or going; I suspect she doesn’t own one.
By now I have wandered off course, and have to retrace a little to find the stile getting me into the right bit of Grisedale Common. All is open access, but I don’t want to climb walls. I spot the Dandrymire Viaduct near Garsdale Station, way below; I still have some miles to go.
My way off the common is not clear; I’m heading to Grisedale Crossing on the railway. This is the way school children from Grisedale would walk out of their Dale to school every day. The school building is just over the crossing, as marked on the photo. The viaduct on the right is one I’ve never noticed before – Lunds Viaduct.
There is a footbridge over the crossing. The 1890s map shows a footbridge even then and the school.
Old School extended.
Lunds Viaduct.
I planned to take the footpath by the infant Ure, draining to the east coast, but with all the dallying, I am happy to walk down the road to the C18th Moorcock Inn, which never seems to be open.
A bridleway goes alongside the railway, dodging through one of the arches of Dandrymire Viaduct before landing me back at Garsdale Station. Throughout the day, I saw railcars on the line – wouldn’t it be spectacular to watch a steam locomotive coming over that viaduct?
*
What a great day. Now for the Clough River, but we think we’ll postpone it until there’s been some rain and the water is livelier.
This time I’m parked at Dent Station, the highest mainline station in England, 1150ft. It’s on the famous Settle to Carlisle line. The station building is now a holiday lodge that you can book online—an unusual getaway.
My walk starts by going down the road to Cowgill, a cluster of houses at the head of Dentdale. Crossing the bridge, there is little water in the River Dee as it runs over limestone slabs. The road continues alongside the river with virtually no traffic. The water-worn limestone bedrock of the river is visible throughout. I pass the isolated Sportsman’s Inn. It is serving lunch; I don’t know how it survives out here. I should have gone inside for a quick drink and a look around, but it’s early on my walk, and I have some serious climbing coming up. Going down always means going back up.
Leaving the road, I cross over the Dee and pass Stonehouse Farm. I knew that this route would take me under the Arten Gill Viaduct carrying the Settle – Carlisle line. I wasn’t prepared for the grandeur of it. The arches are high above the gill and built of Dent black marble, actually black limestone; they dominate the valley. Built in the 1870s.
I follow the track up the side of the gill; this was once an important way for bringing limestone and coal down from the fell. My way is steep; I plod on in the afternoon heat. We are still in a heatwave, but I’m hoping for some cooling breeze as I climb higher.
I keep looking back at the viaduct as I gain height; a train passes over whilst my back is turned. I should have made a note of the timetable.
Mountain bikers shoot past me at breakneck speed going downhill. The solitary cyclist pedalling up is having a far harder time.
The track goes on and on, but the gradient eases. I still keep looking back down at that viaduct. People appear coming downhill; I wonder where from.
At a crossroads of tracks I take the Pennine Bridleway northwards, this is the Coal Road. The map shows nearby coal pits, but I can’t see any evidence on the ground. Until now the tracks have been stony, but along here I am walking on that wonderful sheep-cropped grass of limestone uplands.
The views keep changing as I proceed; that viaduct is still visible for a while, and Ingleborough and Whernside on the skyline vie for my attention. The vista down Dentdale is idyllic, and further on Wild Boar Fell and Mallerstang come into view.
This walk has everything. I find a boulder to rest on, have some lunch and absorb the surroundings. Why have I never been up here before? I’m walking along the upper slopes of Great Knoutberry Fell, which at 672m I must have ascended years ago when I was completing the 2000ft (609.6m) summits of England and Wales—the joys of youth when one rushed across the fells. And along here I think I find some Knoutberry plants, also known as Cloudberry. Looking back up to Great Knoutberry Fell.
I wind down walking back the quiet road to Dent station, where I spend time watching the house martins visiting their nests,
What a great day.
Topped off with a drive over to Garsdale, with the roof off, to pick up the main road to Sedbergh.
I’m glad for the fresh breeze up here on the Occupation Road, high above Dent, as the heat wave continues: with temperatures, even here in the north, in the high 20s. The Occupation Road, the Occy as the locals call it, was originally an old droving route linking Barbondale and Kingsdale. It was rebuilt in 1859 at the time of the Parliamentary Enclosures, when common fell side land was divided up into large allotments for grazing – the ‘occupied’ land. The land was stolen from the commoners. Those fields are spread out below me, with Dent Town hidden; the other side of the valley rises to Aye Gill Pike. And there down the valley, the Howgills across the horizon. And at the head of the valley, Great Knoutberry. A panorama to savour.
I’m walking alone today, yes, yet another ‘task’ from my 52 Ways To Walk book. It’s not difficult for me, as probably 80% of my walks are alone these days; a lot of my friends have died or become incapacitated. There are, however, many advantages to solitary walking. One can decide on a walk at the last moment and just set off without any possible communication complications. One can go at one’s own speed, stop when one wants, take lots of photos and spend time just observing nature in all its forms. One can divert to visit ruins and churches that any companion might not find interesting. One can relax and meditate without constant conversation. It is thought that the more one can create and enjoy solitude, the more resilient and contented one becomes, hence the less alone one feels.
I will not offend any of my walking companions by the above as they are of a similar ilk. In fact, on those days when one chooses a companion for a walk, one appreciates their company even more; I hope that is reciprocated. My solitary walk today is highlighted by several conversations with complete strangers that I might never have had if I were walking with friends. Read on.
I knew I needed to be away early to avoid the afternoon heat. This wasn’t helped by oversleeping my alarm, being held up by a serious accident on the A6 and then driving past my intended motorway junction for Kirkby Lonsdale. The latter problem was easily rectified by going on to the Sedbergh junction and coming into Dent from the west. By the time I reached here, I succumbed and paid for a day’s parking, having been warned by Sir Hugh of his experience a while ago.
After all that, I’m ready to start at 10 am, which is still early for me. I know, from Sir Hugh’s post, what to expect from the climb alongside Flintergill. The lane leading to it has some pleasant properties and halfway a Meditation Centre in an old Methodist Chapel. I call in and restore my composure before continuing. The way passes early on the ‘Dancing Flags’ – limestone slabs in the gill where weavers danced on their fabrics to shrink and thicken them.
The track remains steep and rocky but provides good shade from the sun. I just plod along. I’m surprised to see this strange tree with roots growing over the path. I later learn it is the ‘Wishing Tree’ – I should have passed under it or walked round it three times, depending who you consult.
Higher up, a typical Dales barn has been preserved, and one can view the interior, where there is a jumble of old farming implements. Not very instructive, though I like the stone trough in the wall.
The next diversion is an old lime kiln built into the hillside.
The track becomes less rocky and shows more greenery from the summer growth. The gill itself is down below, but there is no sound of running water. It is dry from the lack of rain and the heatwave.
I encounter the first person I’ve seen since leaving Dent. A lady walking down the track with her little dog. We stop for pleasantries; it turns out she lives just the other side of the gill, and this is her daily walk, having left her husband working in their garden. From what she says, the garden is their main occupation. Having lived here twenty years, they have never really been away – “why would you?” The conversation drifts on about the local wildlife, and it transpires they have ‘tamed’ a rescued magpie. For five years he has lived in their garden and reacts closely with them. Despite its domesticity, he has found a mate most years and reared young. She goes on to tell me about the butterflies in the vicinity and to look out for Emerald Butterflies in the shrubs higher up where apparently there is a welcome seat. A pleasant quarter hour passes by.
I notice a cairn high on the right and scramble up to it. I’m glad I do; it turns out to be a toposcope highlighting all the local features of Dentdale. I take in the views and I try to video the panorama.
The valley opens up; there is even some water in the beck. I can see the Occupation Road up ahead, but first I take advantage of that seat to rehydrate and take in the solitude.
I turn left at the top onto the Occy. It stretches out in front, contouring the hillside. In parts it is underwater; God knows what it would be like in winter, Rutted and awkward for walking, perhaps trashed in the past by motorbikes? But it is a joy to be up here. One has time to take in Dentdale’s different perspectives as one proceeds.
Distant Howgills.
Dentdale fields.
Great Knoutberry.
There are ever-changing trackside flowers and butterflies. I fail to photograph the latter, but here are a few flowers, predominantly Yellow – cue Coldplay.
I stop at the junction with my downward path, Nun House Outrake, and find a boulder to perch on for my lunch. I study the map to follow the Occy onwards to Kingsdale, another time, maybe. The day drifts on. Looking down the walled track, I spot a walker ascending slowly; you can just see him in the photo.
I’m halfway across the stile when I involuntarily check my back pocket – no phone. So back to my lunch boulder and there it is. I could have been down in the valley before I had realised.
By now the other walker has almost reached me, striding out – a young man with a mission. But he hesitantly stops to chat. I ask about his route. He uses public transport and arrived at Dent station by rail today from Sheffield. His southern Yorkshire accent reminds me of Jarvis Cocker; in fact, he has the looks and mannerisms of the man himself. Weird. Using the Occy into Kingsdale, he will climb over Whernside to Ribble Head station. An ambitious day. He knows the area quite well but is keen to learn of other ways. I tempt him into Bowland; he has had thoughts already of walking from High Bentham station to Slaidburn or Chipping. I suspect that he doesn’t feel at ease talking to strangers, but our shared love of stravaiging opens him up. I wish him well and wish I still had his fitness. The day goes on.
I’m soon down at the working Nun House Farm.
Lower on the track, I meet a lady trying to open a gate; I fail too, and we both climb over. I give her space, as you do, and notice she is sensibly using an umbrella for shade. Inevitably, I catch up with her whilst she is searching for the path. Her northeastern accent is immediately familiar to me; not all ‘Geordies’ come from Newcastle; her softer twang is from County Durham, Consett, she tells me. Not far from where I was born in Darlington. A common bond is instantly established, and we chatter away. The umbrella is up as we wander through fields, stumbling across stiles from time to time—another enchanting chance meeting.
Where we part company, I realise I’m slightly off track and have to walk back up the road to Mill Bridge to connect with The Dales Way, The Dales High Way, and AW’s Pennine Journey, all running alongside Deepdale Beck. You wouldn’t have thought all these routes come this way judging from the height of the summer vegetation. Most of the time there is no beck, it having dried up or gone underground in the limestone.
Even when I meet the Dee, Dentdale’s river, there is little water at the stepping stones.
A Dales Way walker comes by and, of course, stops for a chat. A laid-back gent up from Reading to walk this popular way. His wife back home is suffering temperatures into the 30s whilst he is hopefully completing the second half of a LDW in perfect conditions. He is ahead of schedule for today, and my schedule no longer exists. As we linger, I reflect that a day’s parking fee was well spent. Off he goes under that oversized backpack, and I finally achieve a butterfly photo.
Soon I’m on the cobbled streets of Dent past the memorial stone to Adam Sedgwick, the C19th geologist born in Dent.
A delightful five-mile walk in outstanding scenery, with the benefit of walking alone yet meeting some real characters.
The idea for this walk came after I had read about Farfield Mill, along the river from Sedbergh. “Farfield was a woollen mill until it closed in the early 1990s after 156 years of textile production. Visitors will find heritage displays, working looms, exhibitions, craft demonstrations, art and craft for sale by resident and visiting artists, workshops and events, plus delicious food in the Tea Room”.
After our last rather energetic outing on Warton Crag, I had promised Sir Hugh an easier walk with a coffee stop halfway. I phoned him this week with my idea to be walked before the heatwave strengthened. He, as always, was happy to go along with the plan. He has walked extensively in the Sedbergh area and wondered if I would find him some new paths.
Having negotiated the winding road from the motorway, Sir Hugh parks up near a bridge over the River Rawthey on that twisting road to Dent. We are in Cumbria, but a roadside marker gives a sense of its former allegiance. More recently, planners have bestowed the title Western Yorkshire Dales on these hills. Confused?
Some time is spent admiring the cottages of Millthrop, which were built to house the workers of the nearby mill on the other side of the river.
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Millthrop Mill was one of Sedbergh’s first mills, set up in 1796, originally a corn mill that was later converted to manufacture cotton cloth. Afterwards it made horse blankets. It was powered by water from the River Rawthey through a long mill race, which was dammed higher upstream. In its heyday, Millthrop rivalled the later Farfield Mill; however, in 1967 the mill burnt down and was lost.
Sedbergh and District History Society.
Millthrop Mill. c1900
Notice the changes from 1850 to 1910 in the maps, even the name changes.
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All too soon we are climbing up the steep rough track out of the village, the Dales Way. I had just commented to Sir Hugh that, would you believe, there is a house up here when their Land Rover has us pinned to the wall. There it goes down the track.
It is a steady plod up, with temperatures already in the mid-20s.
Higher up, we take a breather where our track goes off left and admire the views over the valley to the Howgills.
The path is a mere sheep trod, but a delight to follow, heading up the lower slopes of Frostrow, a small hill I’ve never ascended and still haven’t, as we branch off just before it through a garden gate. In the distance, Baugh Fell almost obscures Wild Boar Fell.
Little field paths link Highside with High Hollins Farm. The friendly farmer shows off his vintage working tractor; Sir Hugh shows great interest.
Highside.
The farmer shows us an easier way down his fields; he only has 50 acres, which is hardly viable these days. A modern magical machine is baling his hay.
A pleasant interlude in an old hay meadow and then we are climbing once more to a road.
From up here, we can see the rooftops of the Farfield Mill complex.
Tea beckons and we sit outside the friendly cafe rehydrating and eating cake (Sir Hugh) and an indulgent scone with cream and jam (BC). Below us is the Clough River, which once powered the entire mill.
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Farfield Mill was built by Joseph Dover in 1837 to spin and weave woollen cloth. The Mill suffered a big fire in 1908 and had to be rebuilt. It was requisitioned for the production of aircraft parts during WWII. After its decline in the 1950s, it was briefly used to make cheese. Finally, it was acquired by a buildings preservation trust and became a successful Arts and Heritage Centre.
Sedbergh and District History Society.
1850 map.
1910 map.
The mill is on a massive scale, with four floors now utilised to present the area’s history, host large exhibitions, and provide a multitude of studio spaces occupied by artists from far and wide; they can’t all be from Sedbergh.
Our tour of the floors is cursory given our time limits, but we do give it a good try, even making time to chat to some of the artists. Weaving in various forms is well presented and appropriate to the surroundings. Still, I am most taken by the imaginative pottery on display: if another friend had been present, I don’t think we would have escaped so easily. If you are interested in local history and have a bent to original and innovative art, a day here would be so worthwhile. I am already planning a return visit, and not just for the home-baked scones.
Nearby is a small terrace built for mill workers. But I suspect that many would have made the daily trek from Sedbergh along the riverside path that we use to walk back to Millthrop.
Our return route along the River Rawthey is a delight and thankfully cooler. Mainly in pastures, with the familiar Winder overlooking us.
Any shade is appreciated.
Past New Bridge, the Rawthey dawdles along.
The weir we pass was the original one for Millthrop Mill.
What a splendid outing of just under 4 miles. Full of interest, beautiful Dales scenery and the added bonus of Farfield Mill.
I realise I haven’t chosen this week’s 52 Ways to Walk. It is easy – Walk With Others. I’m not one for large or even small groups; one or two chosen companions is fine. I was hoping for two today, but Sir Hugh by himself is stimulating company. His interests are far-reaching, and I without fail glean some choice information. He is always keen to explore, and his obvious enjoyment of the countryside is infectious. And add to that, he bought me tea and a scone. There is some benefit from occasionally walking with others. We are now in the middle of a heatwave, and I won’t be venturing far, but today’s outing has sparked ideas for the future. I was not really aware of Clough River before, but I see on the map that it winds all the way down Garsdale from Clough Force on the slopes of East Baugh Fell. Now that would make a good mini expedition for walking with others.
Driving up the M6 from Preston is always busy and often an accident blackspot, but suddenly, after junction 36, the road empties and all is peaceful with fewer lorries. I’m heading for junction 37, the one with an abrupt stop up the hill and no roundabout. This junction gives access to the Western part of the Lakes, as well as to the Howgills and the hills around Dent, now called the Western Yorkshire Dales National Park, even though they are now mainly in Cumbria. Historically, both Sedbergh and Dent were in the West Riding of Yorkshire until 1974, so maybe there is some logic in the naming. Dent certainly feels like a Yorkshire Dales village. The road winds down to Sedbergh and gives an intimate view into the heart of the Howgills, which sets the pulse going.
Since some friends of mine moved into Dentdale a few years ago, this has been a regular trip for me, particularly in the last three years when we were busy developing a climbing area, Blackbed Scar, on Wild Boar Fell. Today I have a gentler walk in mind, the first of the year, really, due to other circumstances. I’ve read about the waterfalls on the River Rawthey in hidden Uldale, but never explored them. A good enough reason to travel north to the hills, but stay low on a dry day with cold winds. I find that Metcheck often gives the more accurate local forecast. *
I’ve taken a book off my shelves for another appraisal—52 WAYS TO WALK, by Annabel Streets.
Each week, it suggests, one week at a time, different themes and ideas to keep your walks varied. There is a lot of dubious science incorporated, which is probably why it was relegated to my shelves. But we all recognise the physical and mental benefits of walking, so there is no harm in varying our routines. Time to start a new year with a weekly chapter from the book. We are already into the 4th week of 2026, so I can skip the first three chapters: Walk in the Cold, Improve Your Gait. and Walk, Smile, Greet. I feel I have covered those in my daily walk around the corner to the shops. So this week’s chapter comes up with Just One Slow Walk. She controversially suggests that long, slow walks are more beneficial than short, high-intensity periods. Soon to be contradicted in her week 7 chapter – Take a Twelve-Minute Walk. Whatever, I am happy to go along with the slow theme today, having been out hardly at all this year. The main reason, anyhow, is always to reduce your time sitting.
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So I find myself parked up at Rawthey Bridge, just north of Cautley, where the river branches off into Uldale. That forecast is partially correct: the air temperature is about 7, but with stronger winds than expected, it feels freezing, hat and gloves from the set off.
There is no path up the initial section of the gorge, so I pick up an unmarked bridleway into the low hills, Bluecaster, to the south west of the river.
The map shows several fords along the way; I’m expecting wet feet. That doesn’t take long in the waterlogged ground.
Of course, one tends to visit waterfalls for their full effect after rain, so I can’t complain. Height is gained, and then the valley traversed high above the river, hidden in the wooded depths. All around are familiar fells, Cautley Spout cradled by the Howgills, the back of Wild Boar and distant Nine Standards.
The sun is in my eyes, ensuring that I manage to step onto as many unseen deep bogs as possible. The theme of Slow is easily followed.
In parts, there are signs of stone culverts and banking, suggesting packhorse use long ago.
Shake holes remind me I am in Limestone country.
At last, the now vague path levels alongside the rushing river at a footbridge, which gives good views of the first falls upstream. I do wonder what the length of water downstream in the wooded gorge that I have bypassed would have revealed. I am sure someone will have canyoned the whole length. I could cross the bridge and complete my modest circular walk back down the opposite side of the valley, but a faint path continues on this side. The map shows a path that extends another half mile or so to an abandoned quarry, which was no doubt its raison d’être.
Treading carefully on the slippery limestone, I follow the river past a series of falls over tilted strata. There seem to be some good deep swimming pools along the way.
My video aims to give a sense of the sounds and sights of the falls. All very dramatic in this lonely valley.
Reaching the quarry area, the eroded path is forced onto a lip directly above the water. It looks tricky, so I make my excuses and decide, probably sensibly, to turn around and retreat. Further on, the river levels out and then disappears around the corner to more unseen falls. In drier weather and with companions, I would have gone on.
Later, YouTube shows the gorge becoming inaccessible and drones being used to view the taller falls, so today I made the right decision. But the thought of a summer’s direct exploration up the waters is at the back of my mind. Of course, Mark Richards has been there more than once.
Back at the bridge.
I cross over, climb up, bypass Uldale House and wander slowly back along the deserted lanes.
The only traffic is the red postie’s van.
There are some lonely sheep farms up here; at one time, their lives probably didn’t stretch much further than Sedbergh every few weeks.
This was previously a school, which closed in 1940.
Dropping back down to Rawthey Bridge, I can trace the boggy start of the walk on the low hillside opposite with Cautley Crag in the background.
I finish the afternoon warming up and chatting over a pot of tea at my friends’ Dentdale house. Here’s to more slow walking.
I’m intrigued by the name Jeppe Knave on the map of Wiswell Moor. Looking into it, there are various stories, but basically, he was probably Jeppe Curteys, a local robber who was beheaded for his crimes in 1327 and buried up here for whatever reason.
I set out today, halfheartedly, to see if I could locate the stone. I am really just out for a circular walk from the little village of Wiswell, making the most of another sparkling November day. I have to scrape the ice from my car this morning.
There appear to be road closures in Wiswell, but I find a quiet street to park on. Cutting across fields, I arrive on Moor Lane. New houses are being constructed up here; they will have views over the Ribble Valley to Longridge Fell and Bowland. I hope for the same as I climb higher.
At the top of the lane, there is a choice of footpaths, and on a whim, I take the left one, which, according to the map, goes close to Wiswell Quarry. The sheep study my slow progress upwards. Looking back, the view is definitely worth capturing in a panorama shot.
I have never climbed here. It looks a bit scrappy, but I don’t get up close.
I drop down the cobbled quarry track to join a lane, Clerk Hill Road, which connects farms along the flank of Wiswell Moor. It goes straight ahead uphill. The last farm has a strange building with an old ‘chimney’ – a man at the farm tells me it was once an abattoir.
The quarry track.
Clerk Hill Road
Old abbatoir at Wiswell Mooor Houses.
Leaving the tarmac, the bridleway borders open access land on the moor. Yes, that’s the bulk of Pendle ahead.
Looking at the map, Jeppe Knave’s Grave is in the second field, but there was no way to enter it due to the height of a splendid dry stone wall, with no gateway along its length.
Oh well, I can give it a miss. But then a gate brings the bridleway onto the rough, open fell. I now realise I could walk up to the trig point on The Rough, which again I’ve never visited, and could I then possibly find a way back into the grave field? Off I go.
There is no track across the reedy ground alongside the wall. It’s also steeper than it looks.
As I struggle, I start to regret my decision and consider my escape. Rough by name and rough by nature. I’ve started leaving a route map in our family WhatsApp group for my nearest and dearest. But here I am already going off piste on remote moorland. As the ground steepens, it becomes less boggy, so head down and plod on. At last, I reach the watershed. There is a gate ahead, then a high ladder stile into the field I want. I regret not noting the grid reference for Jeppe’s grave. It’s over there somewhere.
Once over the high ladder stile, there is a faint track going across the moor, and I surmise that it must lead me to the grave. Thankfully, it does.
There are scattered rocks in a dip. Looking closer, there is an upright inscribed stone, Jeppe Knave. This seems pretty new, and yes, behind it is an older inscribed stone lying on the ground. I had not realised that the ‘grave’ was on the site of a Bronze Age burial ground, which, in any case, I wouldn’t have recognised. I can find no reference to the ‘new’ inscribed stone. Was it brought here or created in situ, and was there a need for it?
Satisfied, I head back to the wall stile where I find an ideal spot for some lunch – the Shepherd’s Cave. The vistas over the Ribble Valley and afar are remarkable.
I ritually touch the trig pillar on The Rough, 315m. Do I retrace my steps back down all that rough moor to the bridleway? But there seems to be a trod heading north-east towards the Nick. Let’s try it, so off I go again. The path improves as I follow it.
I love walking high on the fells with my destination far off in the distance. Pendle Hill, or more correctly Spence Moor, is on the skyline. Can I see the summit of Pendle? A gate, with a plaque to a local cyclist, sees me off the moor.
In no time, I’m at the Nick of Pendle with Sabden down in the valley, and the ski club on the north side. Busy with traffic, I’m brought back to reality. But I only have a few yards to go before I hop over a wall back onto the moor.
Soon, I join an old trackway leading down to Wymondhouses. Ingleborough and PenYghent are just visible at the head of hazy Ribblesdale. In front of me, Longridge Fell and the Bowland Fells
I recognise the buildings from a walk in the past. There is a sign above the door which I can’t read from this distance, but looking back at previous posts I find this photo explaining it.
The higher path I take is very boggy, and I inevitably end up with wet feet. Not many come this way; somewhere I have gone off track. I rejoin the public footpath at Audley Clough, and fortunately, there is a stile. Climbing out of the clough, I am suddenly back in cultivated fields, and an obvious path leads to Cold Coats farm.
The grass and puddles have been frozen since this morning.
All I have to do is stroll back along the lane to Wiswell and find which street I parked my car in.
A very satisfying day, with the bonus of finding Jeppe Knave’s grave and enjoying an unexpected high moorland ridge walk.
If you look at the church clock, it is 12 noon. I’ve delayed the start of my walk today to let the drizzle and low cloud give way to brighter skies. What a good decision it turns out to be.
I was initially attracted to this location, Barbon, north of Kirkby Lonsdale, by a piece on The Rivendale Review.
I liked the look of his photo of the Devil’s Crag on Eskholme Pike. But today was not the day to go wandering up there in the mist. A low-level walk should be more productive. I found a link to a walk up Barbondale itself and returning through some of the estate parklands. Even as you drive up here from Kirkby Lonsdale, the epitome of an affluent market town, you are aware of a lot of imposing gateways leading to imposing mansions—tweed jacket country. In the past, the landed gentry settled here and shaped the landscape to their liking.
I park next to the church, just as it chimes twelve. Most of the hills are hiding in low clouds. Before leaving, I take a look around St. Bartholomew’s, which was built in 1892–93, and designed by the noted Lancaster firm of church architects, Paley, Austin and Paley. Apart from the font, there is nothing of note inside.
My way goes into the private estate of Barbon Manor, built as a shooting lodge for the Shuttleworths. The manor is situated high on the hillside and well-hidden by extensive woodlands. As I walk up the access road, I am surprised to see a black and white barrier on one of the corners, but I later read that this road is used for a motor sport hill climb several times a year.
Entering the woods alongside the river, a good track is used for about a mile up the valley. Autumn is the perfect time to visit here,
As I progress, the path climbs away from the river, giving views of the surrounding hills. That’s Barbon Low Fell to the south.
It feels much like a Scottish glen to me.
Back alongside the river, where a lively stream joins the bedrock is exposed.
I eschew the ford for the wooden footbridge.
Several cars are pulled up alongside the road at what is probably a busy spot in the summer. Even today, dog walkers are out for a stroll, the dogs more interested in getting as wet as possible.
The narrow road winds over to Dentdale, but I turn south and follow it back down the other side of the valley. A little red postie van completes the Scottish likeness. As you can see, the gloom has descended to just above my head. I’m walking down the Dent Fault with Silurian slate to the north and limestone to the south. Glacial erosion has shaped the valley. I’m keeping my eyes open for a sheepfold by the roadside. Interestingly, the link I looked at for this walk mentions it only as a ‘strange sheepfold’; they obviously didn’t know of Andy Goldsworthy. He is an outdoor artist, and some of his early works were circular stone sheepfolds scattered across the north. This one is very accessible – Jack’s Fold. The stonework matches the surrounding field walls. Inadvertently, I had captured it earlier in a photo across the valley.
I spend some time inside removing tissues and food wrappers stuffed in crevices between the stones.
There are vast amounts of various lichens growing on the rock.
I try to get above it for a better photo, but really, a drone would be the answer. Is that going beyond his artistic vision? Time to move on.
At the junction, I take the even quieter lane southwards.
This is above some authentic old sheepfolds.
Looking back, one sees Barbon Manor above the woods I walked through earlier.
With the day brightening, as forecast, there are extensive views out across the parkland and Lunesdale. I struggle to place some of the hills seen from an unfamiliar angle—Farleton Fell, etc.
I can’t resist a little play on these exposed rocks.
As I approach the grounds of Whelprigg House, more mature plantations dominate.
You can rent parts of the house for family occasions.
More modest properties, presumably part of the estate at one time, are passed on the footpath below. The low sunshine, highlighting the autumn colours, particularly prominent today are the slopes of dead bracken on Barbon Low.
This random stone wall, incorporating large boulders, is probably from the 18th Century or earlier.
Crossing the driveway to Whelprigg, one enters more fields, complete with intimidating Beware of the Bull signs.
The OS map here is unusual in that it names trees in the parkland.
Anyhow, I can’t stop taking pictures of their stunning autumn garb.
There are some strange groundworks in the park, for which I can find no explanation—presumably an ancient field or boundary marker.
Skirting Low Bank, I enter the back streets of Barbon through the grounds of the aptly named Underfell. The village is full of little cottages and friendly people, and of course the C17th Barbon Inn, who serve a good pint of Timothy Taylors Landlord. I’m not sure whether I am in Lancashire, Cumbria or Yorkshire.
As I sup my pint, I have time to reflect on a brilliant afternoon’s walk, just under six miles. It was well worth waiting for. I have some ideas for more walks in this special area, and of course, I need to visit the Devil’s Crag.
“This adventurous three-hour hike explores the foothills of Pendle, offering extensive views of the Ribble Valley, before diving into the wooded valleys beneath its flanks”
It promised to be a good one. In fact when I think back I did an almost identical walk in reverse a couple of years ago, but that was then.
I’m joined by JD today. I arrived at his house and then realised I hadn’t brought the said leaflet so a bit of backtracking before we get going. We are still parked up in Downham before 11am. Soon enough for a short 5 mile walk.
All of the tracks today seemed well used by ramblers with good signage in the main. A popular area, and deservedly so. The scenery is classic Ribble Valley farmland with the limestone bed rock giving excellent walking and varied flora, all under the gaze of Pendle Hill.
The first part was gently uphill passing idyllic farms on the undulating northern flanks of Pendle.
On our way down towards Twiston we stopped for a bite in a sheltered limestone quarry below Hill Foot. We had time to observe the unique flora in these limestone undisturbed meadows. Identification of the individual species was not all that easy.
And we had time to take in the fine view of Pendle from our perch.
Passing the silted up mill pond of Twiston and then the old mill itself. then alongside the beck to a footbridge and up to yet another farm, Springs. Here we met up with a sunken track over Wooly Hill, which I’d never visited. There is a Roman road marked on the map – were we on the course of it back to Downham. The OS are not always accurate with marking Roman Roads.
Throughout the walk we experienced a variety of stiles in the stone walls, some now neglected and bypassed by the functional wooden gate. At least none of those newfangled metal gates have arrived yet. Have a read of what outdoor writer John Bainbridge has to say.
This or that?
I have just remembered somewhere on the way we rescued, with difficulty, a sheep who had its head stuck through a wire fence. No harm was done to her or the fence, but JD suffered knee bruising when the released sheep ran straight into him and I ended up with stinking trousers where I had been kneeling in her shit.
The afternoon ended well with a pint of Bowland beer outside The Asheton Arms as befits this series of summer walks. This has been a quick visit to our route but one worth you trying someday.
Oh, and one more picture of Pendle from the porch of St. Margaret’s Church..
I’m parked up at the same spot as a couple of weeks ago in straggly RIMINGTON. There seem to be more cars about than last time, perhaps a walking group have departed some time before me. But I never meet another walker throughout this short walk. Looking again at Clitheroe Ramblers’ 25 Walks in the Ribble and Hodder Valleys I see this is the only one I have not completed in the past. It should prove ideal for a short off the cuff walk.
C18th Bustards Farm, my starting point in the village.
It is a pleasure to be back on the better drained limestone hills after last weekend’s mud-bath. Straight forward walking out of the village, across fields on a concessionary path and then a footbridge across Ings Beck. Robins are singing from every tree, Jays are making a commotion in the woods, yellow Celandines are poking through and the sun is shining, so perhaps we have turned a corner in the seasons. I’m soon alongside Twiston Mill and on to the minor road. I resist the short diversion up to Witches Quarry, a popular limestone climbing venue.
Twiston Mill.
Its silted up mill pond.
Each chapter in the book is written by a different local author and the standard of accuracy has varied, todays is not the best and I have to resort to my OS mapping on the phone to find my way above Twiston. Its uphill all the way to meet the next minor road. I recognise some stretches from a reverse walk in March two years ago which helps. The Blackthorn Blossom is just starting, as it was last time I came this way.
Looking back to the Ribble Valley.
All morning Pendle Hill has been looming above me, a little hazy at times and at the road its big end is directly above. The scenery changes here, I’ve left the green pastures and venture onto the open moors for a stretch above Coolham Farm. This is the highest I get on Pendle’s skirts. I have to imagine Ingleborough and Pen-Y-Ghent ahead of me in the haze but can pick out Rimington far below.
Out of nowhere a wall enclosed green lane appears heading down from Twiston Moor. I follow it, doglegging, until alongside a deep wooded clough, the upper reaches of Ings Beck. I try to take some pictures of the red buds on the Larches here but the breeze makes it difficult to focus.
Just outside the garden of Clough Head Farm is the Thomas Peel Bulcock memorial of which I knew nothing. It was erected by Thomas Bulcock in 1863 in memory of his son buried here and other relations buried in Whalley and Downham churchyards. The Bulcock family apparently had a long association with the area.
Having passed through the farmyard I find myself in one of the longest fields I’ve seen in these parts. Back to green pastures I wander down the hillside to come out onto a familiar lane.
From there I traverse the hillsides above the Ings Beck where silver rich lead was mined for many years. I wrote about this last time. Today I find the remains of the limekiln for the little limestone quarry and pass the mine managers cottage. Oh and that lamp post in the middle of nowhere.
Knowing the way I am soon back into sleepy Rimington.
The converted Black Bull and Cosgroves ladies clothing shop.
For a change you may start this post with a piece of music to set the scene.
The tune is the hymn ‘Rimington’, composed by Francis Duckworth. He was born in the Ribble Valley village of Rimington on Christmas Day 1862 at the grocery store, now a house. When he was five he moved with his family to nearby Stopper Lane, where they ran the village shop next door to a Wesleyan Chapel and hand loom cottages, now all private residences. Francis’s mother died when he was 12 and he began a hard life of working in various family shops. He later opened his own grocer’s shop in Colne. He was well known throughout the area as an accomplished musician and organist and composed many hymns, often named after local villages. ‘Rimington’ appeared in 1904. He remained in Colne until his death in 1941. He is buried in nearby Gisburn’s churchyard where his memorial is inscribed with the first couple of lines of his famous hymn.
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We find ourselves parked this morning in that village of Rimington to follow another walk from Clitheroe Ramblers – 25 Walks in the Ribble and Hodder Valleys. Once again under the shadow of Pendle Hill, only a few miles from touristy Downham where I was a couple of weeks ago. But there are no tourists here, it is a curious village strung out along the lane with no obvious centre and a variety of housing styles. The Black Bull pub mentioned in the guide is nowhere to be seen, presumably closed.
Anyhow we find our footpath heading into the fields – it is marked as a Heritage Trail, of which we know nothing. Some of the stiles are hard to spot with the sun in our eyes; as is Pendle towering above us. Yes, at last the sun is making a weak appearance today. In places the stiles have been replaced by those utilitarian galvanised kissing gates. I’m still not bowled over by them, being a dyed in the wool old git; see below. Anyway we head towards a farm through more tradional old gate posts and past a street light in the middle of nowhere. Bits of limestone break through the grass giving us a clue to the geology of the area.
Before we go farther I would like to do a poll on which of the following you feel is most appropriate in our countryside, assuming progress has to be made. Galvanised or green?
Disused mines are marked on our map, perhaps they are something to do with the heritage trail. On the ground, pits start to appear all over the hillside and across the other side of Ings Valley. Apparently silver rich lead was recovered from here originally in the C17th from bell pits and later on an industrial scale from mine shafts. A smelt mill was built in the C19th. “Between 1880 and 1885 the York & Lancaster United Mining Co. Ltd sank a shaft and raised some ore. Unfortunately, James Wiseman, the banksman in charge of the shaft top, fell down the shaft and was killed in September 1884” This latter information I gleamed later from the internet where Rimington’s heritage is well represented. We should have known this before to fully appreciate and interpret the area.
We come across a small limestone quarry but fail to spot its limekiln.
There is probably a lot of heritage around here.
In the distance below Pendle is listed but modernised Clough Head Farm. We are almost on the border of Lancashire and Yorkshire hereabouts. I remember when White Rose flags were flown in Gisburn long after it had been assimilated into Lancashire. Lanes, which switchback the slopes, bring us to Middop Hall, C17th and again listed but without much change. A grand display of mullioned windows. Somewhere in the barn are remnants of Sawley Abbey. The stone from the abbeys must have been reused in many farms in the area, we have passed some at Little Mearley Hall before.
Shortly after leaving Widdop Hall we get into conversation with a friendly farmer on his quad bike. After the usual discussion on the weather he opens up and tells us he lives at the Hall and relates its history. If only we had met him down there we may have had a closer look around.
Onwards on the deserted lane with more ups and downs than I want. Then we are heading up onto the slopes of Weets Hill to join the Pennine Bridleway on Coal Pit Lane, more heritage there. From this elevated position the Three Yorkshire Peaks are just visible but too hazy to photograph. It is a slightly better view down the Ribble Valley towards the Parlick and Fairsnape group of Bowland. And of course you can’t get away from Pendle in these parts.Soon we are on the return leg, again on quiet lanes, through the hamlets of Howgill, Newby and Stopper Lane. Lots of interesting buildings are passed and we guess at their original purposes.
A lot we walk past without a second glance, never mind a photograph. We do notice the plaque to Duckworth in Stopper Lane, but had no idea of the industry here. The historic photo is of the village’s joinery shop with its ‘windmill’. Here abouts is the village institute hall, a good half mile out of the village proper. But it does have an information board which tells us, all too late, about the Heritage Trail we have almost followed.
The sundial on Martin Top Chapel, under scafolding today, is a reminder that this life we live is short and fleeting, and also seems to comment on the changes that have occured quite rapidly in these working villages in our lifetime.
It never used to be so busy at the Cow and Calf Rocks’ carpark A bright Saturday has brought crowds up here above an equally busy Ilkley. We are here to find the last of Simon Armitage and Pipa Hall’s Stanza Stone Poems, Beck, hidden in Backstone Beck where the latter comes down at speed towards the town. I have downloaded some ‘simple’ directions but am afraid I may get distracted by the nearby climbing crags.
Ilkley Quarry, the Cow and Calf and the Rocky Valley were favourite haunts of my early climbing days. There was plenty of traditional excitement to be had on the rounded gritstone. But no let’s find the poetry stone first.
‘Take the path out of the car park’ was an obvious start, we could manage that. The paths are more well used than I remember them, were they even here back then? But there are lots of them going off in all directions. And there are people in all directions too. Some coming up from Ilkley by way of the tarn, most like us wandering from the Cow and Calf and others from over the moor. Dogs, in all shapes and sizes, are everywhere, which gives Zola plenty of canine interactions, Clare is on hand to call her in when things are starting to get out of hand. I am amazed that she can bound off into the distance (Zola, not Clare), in a place she has never set foot in, and keep reappearing at our heels. The bracken is dead which helps us find the narrower paths. All the time we have a panoramic view of Ilkley down below in the Aire valley.
‘Head towards a plantation’ was the next instruction, yes, but which one? A solitary Stanza Poem fingerpost then takes some of the adventure away. The sound of the beck meant we were close. ‘Scramble up alongside the beck’ was our instruction – but steps have been provided recently. ‘Squeeze through between a gorse bush and a boulder’ the guide says. But someone has cut the gorse bush back. Is this all down to the YouTube/Instagram/what three words phenomena creating honey pots in our wild countryside? I’m beginning to feel a little cheated, this was to be the climax of our poetry trail with the most difficult stone to find. Zola obviously finds it for us, but then in the end we have it completely to ourselves.
False trail
Is this what you are looking for?
What a spot, a wild tumbling beck with the brown bracken clinging to the hillside. Water is splashing around the rocks and there in the centre of it all is the Stanza Stone. A proud boulder sitting in the flow as was Pipa Hall when she carved out the letters. We ask ourselves how did they find this elysian place?
A bit of precarious scrambling had us up close to the poem which is slowly taking on the patina of all the other water splashed rocks. What will it be like in another ten, twenty or fifty years? all a very short period of time for the stones up here on the moor. The references to the curlew and the dipper are perfect for the situation. If you have read any of Simon Armitage’s poems you will recognise his acute observation, engagement and ability to weave his words. If you haven’t, a good start would be an anthology of his writings – Paper Aeroplane, 1989 – 2014. The title poem at the very end is one of my favourites, a self-effacing offering worlds apart from Tennyson, Simon is no stuffy Poet Laureate.
Where next? Well I had suggested we explore the wild moor looking for those thousand years old markings in the rocks up here. Cup and ring marks and geometric carvings. I won’t bore you with our subsequent wanderings. Zola probably derived the most benefit from the open moorland obstacle course. Did we find any? I can’t say for certain, lets just leave it there. I don’t know who C Clark and Crackety Jack are.
Our only trophy was stumbling across a ‘poetry seat’ constructed in line with the poems. The sign said Marsden 451/4 miles, where we had started with Snow up in the quarries at Pule Hill in October. We have not walked the whole trail but picked off the stones on the way – Rain, Mist, Dew, Puddle and now Beck. Whichever way you approach it this gives a wonderful feeling for the Pennine scenery, the vagrancies of its weather and the talent and inspiration of the poetry team.
Going with the flow Clare posts a poem into the letter box. I wonder when it will next emerge.
On our way back to the car I indulge in some reminiscing of those carefree climbing days long ago.
There was no congratulatory drink in the nearby Cow and Calf Inn, a quick toilet stop and I was happy to be on my way home before all those high intensity car headlights had chance to confuse me. How the mighty have fallen.
***
There is however a post script. Our journey is not yet done.
The final Stanza? Armitage and Hall spoke about a seventh, hidden Stanza Stone. Although they disputed its size, both agreed it was fairly small and had been placed within either a “wooden casket” or “hollowed-out log”. Armitage added: “We took it to a place above Hebden Bridge, where the Ted Hughes poem ‘Six Young Men’ is set, and placed it under the riverbank there.” Shortly afterwards the valley was flooded, “so we’ve no idea where it is now. It’s either in the Atlantic, or in the North Sea – or lying in someone’s cellar in Todmorden”.