Tag Archives: West Yorkshire

A WALK TO FARFIELD MILL, SEDBERGH.

The idea for this walk came after I had read about Farfield Mill, along the river from Sedbergh. “Farfield was a woollen mill until it closed in the early 1990s after 156 years of textile production. Visitors will find heritage displays, working looms, exhibitions, craft demonstrations, art and craft for sale by resident and visiting artists, workshops and events, plus delicious food in the Tea Room”.

After our last rather energetic outing on Warton Crag, I had promised Sir Hugh an easier walk with a coffee stop halfway. I phoned him this week with my idea to be walked before the heatwave strengthened.  He, as always, was happy to go along with the plan. He has walked extensively in the Sedbergh area and wondered if I would find him some new paths.

Having negotiated the winding road from the motorway, Sir Hugh parks up near a bridge over the River Rawthey on that twisting road to Dent. We are in Cumbria, but a roadside marker gives a sense of its former allegiance. More recently, planners have bestowed the title Western Yorkshire Dales on these hills. Confused?

Some time is spent admiring the cottages of Millthrop, which were built to house the workers of the nearby mill on the other side of the river.

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Millthrop Mill was one of Sedbergh’s first mills, set up in 1796, originally a corn mill that was later converted to manufacture cotton cloth. Afterwards it made horse blankets. It was powered by water from the River Rawthey through a long mill race, which was dammed higher upstream. In its heyday, Millthrop rivalled the later Farfield Mill; however, in 1967 the mill burnt down and was lost. 

Sedbergh and District History Society.

Millthrop Mill. c1900

Notice the changes from 1850 to 1910 in the maps, even the name changes.

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All too soon we are climbing up the steep rough track out of the village, the Dales Way. I had just commented to Sir Hugh that, would you believe, there is a house up here when their Land Rover has us pinned to the wall. There it goes down the track.

It is a steady plod up, with temperatures already in the mid-20s.

Higher up, we take a breather where our track goes off left and admire the views over the valley to the Howgills.

The path is a mere sheep trod, but a delight to follow, heading up the lower slopes of Frostrow, a small hill I’ve never ascended and still haven’t, as we branch off just before it through a garden gate. In the distance, Baugh Fell almost obscures Wild Boar Fell.

Little field paths link Highside with High Hollins Farm. The friendly farmer shows off his vintage working tractor; Sir Hugh shows great interest.

Highside.

The farmer shows us an easier way down his fields; he only has 50 acres, which is hardly viable these days. A modern magical machine is baling his hay.

A pleasant interlude in an old hay meadow and then we are climbing once more to a road.

From up here, we can see the rooftops of the Farfield Mill complex.

Tea beckons and we sit outside the friendly cafe rehydrating and eating cake (Sir Hugh) and an indulgent scone with cream and jam (BC). Below us is the Clough River, which once powered the entire mill.   

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Farfield Mill was built by Joseph Dover in 1837 to spin and weave woollen cloth. The Mill suffered a big fire in 1908 and had to be rebuilt. It was requisitioned for the production of aircraft parts during WWII. After its decline in the 1950s, it was briefly used to make cheese. Finally, it was acquired by a buildings preservation trust and became a successful Arts and Heritage Centre.                             

 Sedbergh and District History Society.

The mill is on a massive scale, with four floors now utilised to present the area’s history, host large exhibitions, and provide a multitude of studio spaces occupied by artists from far and wide; they can’t all be from Sedbergh.

Our tour of the floors is cursory given our time limits, but we do give it a good try, even making time to chat to some of the artists. Weaving in various forms is well presented and appropriate to the surroundings. Still, I am most taken by the imaginative pottery on display: if another friend had been present, I don’t think we would have escaped so easily. If you are interested in local history and have a bent to original and innovative art, a day here would be so worthwhile. I am already planning a return visit, and not just for the home-baked scones.

Nearby is a small terrace built for mill workers. But I suspect that many would have made the daily trek from Sedbergh along the riverside path that we use to walk back to Millthrop.

Our return route along the River Rawthey is a delight and thankfully cooler. Mainly in pastures, with the familiar Winder overlooking us.

 

Any shade is appreciated.

Past New Bridge, the Rawthey dawdles along.

The weir we pass was the original one for Millthrop Mill.

What a splendid outing of just under 4 miles. Full of interest, beautiful Dales scenery and the added bonus of Farfield Mill.

I realise I haven’t chosen this week’s 52 Ways to Walk. It is easy – Walk With Others. I’m not one for large or even small groups; one or two chosen companions is fine. I was hoping for two today, but Sir Hugh by himself is stimulating company. His interests are far-reaching, and I without fail glean some choice information. He is always keen to explore, and his obvious enjoyment of the countryside is infectious. And add to that, he bought me tea and a scone.  There is some benefit from occasionally walking with others. We are now in the middle of a heatwave, and I won’t be venturing far, but today’s outing has sparked ideas for the future. I was not really aware of Clough River before, but I see on the map that it winds all the way down Garsdale from Clough Force on the slopes of East Baugh Fell. Now that would make a good mini expedition for walking with others.

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THE FINAL STANZA?

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It never used to be so busy at the Cow and Calf Rocks’ carpark  A bright Saturday has brought crowds up here above an equally busy Ilkley. We are here to find the last of Simon Armitage and Pipa Hall’s  Stanza Stone Poems, Beck, hidden in Backstone Beck where the latter comes down at speed towards the town. I have downloaded some ‘simple’ directions but am afraid I may get distracted by the nearby climbing crags.

Ilkley Quarry, the Cow and Calf and the Rocky Valley were favourite haunts of my early climbing days. There was plenty of traditional excitement to be had on the rounded gritstone. But no let’s find the poetry stone first.

‘Take the path out of the car park’ was an obvious start, we could manage that. The paths are more well used than I remember them, were they even here back then? But there are lots of them going off in all directions. And there are people in all directions too. Some coming up from Ilkley by way of the tarn, most like us wandering from the Cow and Calf and others from over the moor. Dogs, in all shapes and sizes, are everywhere, which gives Zola plenty of canine interactions, Clare is on hand to call her in when things are starting to get out of hand. I am amazed that she can bound off into the distance (Zola, not Clare), in a place she has never set foot in, and keep reappearing at our heels. The bracken is dead which helps us find the narrower paths. All the time we have a panoramic view of Ilkley down below in the Aire valley. P1020983P1020984

‘Head towards a plantation’ was the next  instruction, yes, but which one? A solitary Stanza Poem fingerpost then takes some of the adventure away. The sound of the beck meant we were close. ‘Scramble up alongside the beck’ was our instruction – but steps have been provided recently. ‘Squeeze through between a gorse bush and a boulder’  the guide says. But someone has cut the gorse bush back. Is this all down to the YouTube/Instagram/what three words phenomena creating honey pots in our wild countryside? I’m beginning to feel a little cheated, this was to be the climax of our poetry trail with the most difficult stone to find. Zola obviously finds it for us, but then in the end we have it completely to ourselves. P1020990P1020995P1020996

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False trail 

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Is this what you are looking for?

What a spot, a wild tumbling beck with the brown bracken clinging to the hillside. Water is splashing around the rocks and there in the centre of it all is the Stanza Stone. A proud boulder sitting in the flow as was Pipa Hall when she carved out the letters. We ask ourselves how did they find this elysian place?  P1030027

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It is all one chase.
Trace it back the source
might be nothing more than a teardrop
squeezed from a Curlew’s eye,
then follow it down to the full-throated roar
at its mouth – a dipper strolls the river
dressed for dinner in a white bib.
The unbroken thread of the beck
with its nose for the sea
all flux and flex, soft-soaping a pebble
for thousands of years, or here
after hard rain, sawing the hillside in half
with its chain. Or here, where water unbinds
and hangs at the waterfall’s face, and
just for that one, stretched white moment
becomes lace.
©Simon Armitage 2010

A bit of precarious scrambling had us up close to the poem which is slowly taking on the patina of all the other water splashed rocks. What will it be like in another ten, twenty or fifty years? all a very short period of time for the stones up here on the moor. The references to the curlew and the dipper are perfect for the situation. If you have read any of Simon Armitage’s poems you will recognise his acute observation, engagement and ability to weave his words. If you haven’t, a good start would be an anthology of his writings – Paper Aeroplane, 1989 – 2014. The title poem at the very end is one of my favourites, a self-effacing offering worlds apart from Tennyson, Simon is no stuffy Poet Laureate.

Where next? Well I had suggested we explore the wild moor looking for those thousand years old markings in the rocks up here. Cup and ring marks and geometric carvings. I won’t bore you with our subsequent wanderings. Zola probably derived the most benefit from the open moorland obstacle course. Did we find any? I can’t say for certain, lets just leave it there. I don’t know who C Clark and Crackety Jack are.P1030074P1030048P1030051P1030053P1030062P1030111P1030094P1030100P1030120

Our only trophy was stumbling across a ‘poetry seat’ constructed in line with the poems. The sign said Marsden 451/4 miles, where we had started with Snow up in the quarries at Pule Hill in October. We have not walked the whole trail but picked off the stones on the way – Rain, Mist, Dew, Puddle and now Beck. Whichever way you approach it this gives a wonderful feeling for the Pennine scenery, the vagrancies of its weather and the talent and inspiration of the poetry team.

Going with the flow Clare posts a poem into the letter box. I wonder when it will next emerge.P1030088P1030087P1030083P1030080

On our way back to the car I indulge in some reminiscing of those carefree climbing days long ago. P1030103P1030109P1030123

There was no congratulatory drink in the nearby Cow and Calf Inn, a quick toilet stop and I was happy to be on my way home before all those high intensity car headlights had chance to confuse me. How the mighty have fallen.

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There is however a post script. Our journey is not yet done.

The final Stanza?  Armitage and Hall spoke about a seventh, hidden Stanza Stone. Although they disputed its size, both agreed it was fairly small and had been placed within either a “wooden casket” or “hollowed-out log”.  Armitage added: “We took it to a place above Hebden Bridge, where the Ted Hughes poem ‘Six Young Men’ is set, and placed it under the riverbank there.” Shortly afterwards the valley was flooded, “so we’ve no idea where it is now. It’s either in the Atlantic, or in the North Sea – or lying in someone’s cellar in Todmorden”.

Let me know if you come across it.

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