Tag Archives: Literature

TOLKIEN AND CROMWELL IN THE MISTS OF TIME.

It is difficult to plot a flat five-mile walk in this part of the Ribble Valley. At least if you want to make it interesting. Sir Hugh is a connoisseur of trails, so I have to make this one at least appear interesting and at the same time without too much uphill.

He has kindly offered to come down from Cumbria in order to drive me to a walk I can’t easily reach otherwise. He left the choice to me.

The morning is misty, so we linger and catch up over coffee before leaving. A low-level walk is probably best in these conditions. Half a Tolkien is what I’ve named it. I could probably just about walk it blindfolded.

The Tolkien Trail is a walk around the area inspired by  J R R Tolkien’s writings during his stay at the college in the late 1940s. A number of names which occur in ‘The Hobbit’ and ‘The Lord of the Rings’ are similar to those found locally. The tourism people have made as much cudos from it as possible.

Leaving Hurst Green, the much-improved footpath drops steeply down to the Ribble. As we happily descend, I have nagging doubts at the back of my mind that we will have to climb back up at some stage. I need not have worried; Sir Hugh is a true soldier.

Peace is all around. There is no wind, and the Ribble flows sedately by, one of the great rivers of the North. The still, misty conditions add atmosphere to the banks. The stately aqueduct, 1880 era, carries a water pipe to Blackburn, but I can’t remember where it originated. ? Langden Intake at Dunsop Bridge.

We are now on an ‘astro turf’ path. At some stage, a plastic sports pitch has been taken up and relaid as a strip along the river bank, creating the perfect walking surface which blends in with the surroundings. It could be used to advantage on other popular/eroded paths. I think Sir Hugh has stepped offside at this point.

The trail further on has been surfaced with slate chippings, equally resistent but not as visually pleaasing. I wonder which will survive the longest?

Jumbles, where the river has a little dance, comes and goes.

Upstream, fishermen are trying their luck.

I point out Hacking Hall across the way, just visible in my header photo (garderobe was the word I was trying to bring to mind). The Calder joins in here at the site of the old Hacking Ferry, which would have been in operation in Tolkien’s time.

I have a secret up my sleeve. We are always looking for a comfortable seat to have lunch, but there is never one when needed. Today, I hone in on a fisherman’s bench just above where the Hodder, itself a sizeable river, joins the Ribble. Perfect, with extra brownie points.

Close by is the Winkley Oak, that magnificent ancient tree. I am always reassured to see it still standing after the winter storms.

The diverted path is no problem. However, I’m still not sure whether it is official.

As we slowly climb the lane, I mention that the tall trees nearby are a heronry at this time of year. They have nested here for generations. Peering up into the roof canopy, we fail to spot any nests. But then a couple of herons on the ground take to flight and land in the highest branches. They tend to lay early, so they are probably building nests at the moment. Their rasping cries break the general silence.

I find a group of Oyster fungi on a fallen tree, enough for a snack on toast later. (I’m still alive)

The path across the fields has been improved, and we are soon at that bus stop on the road junction. It is too misty for the classic view of Pendle Hill or Cromwell’s Bridge down below. More of him later. 

I try to ignore the steep bit of road climbing up to Stonyhurst College grounds. Sir Hugh hardly stops for breath. 

We take a back route through the college grounds, past all those terrets and observatories, until there in front of us is the magnificent St. Peter’s Church.

The front of the college is inspiring. The road leading to it is dramatic. The public right of way now goes elsewhere, but I remember walking straight up to the college years before security stepped in. In ignorance and encouraged by Sir Hugh, we walk out on that entrance drive between the ornamental ponds. I wonder whether the security cameras picked us up.

Once safely out of the gates, we have time to turn around and admire the college’s frontage.

The long road leads to the tacky, all-seeing Column of the Immaculate Conception on a mound. More interesting is a large wayside stone. After staying the night in Stonyhurst, Cromwell allegedly stood on this stone and described the mansion ahead of him as “the finest half-house in England”; the symmetry of the building was, at that time, incomplete. He fought the Preston battle the following day, 17th August 1648, against the Royalist army.

From here, it is a simple stroll back into Hurst Green just as the sun is breaking through.

An excellent five-mile walk full of interest and, as usual, with Sir Hugh full of bonhomie. His version will be available soon at https://conradwalks.blogspot.com/

THE FINAL STANZA?

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It never used to be so busy at the Cow and Calf Rocks’ carpark  A bright Saturday has brought crowds up here above an equally busy Ilkley. We are here to find the last of Simon Armitage and Pipa Hall’s  Stanza Stone Poems, Beck, hidden in Backstone Beck where the latter comes down at speed towards the town. I have downloaded some ‘simple’ directions but am afraid I may get distracted by the nearby climbing crags.

Ilkley Quarry, the Cow and Calf and the Rocky Valley were favourite haunts of my early climbing days. There was plenty of traditional excitement to be had on the rounded gritstone. But no let’s find the poetry stone first.

‘Take the path out of the car park’ was an obvious start, we could manage that. The paths are more well used than I remember them, were they even here back then? But there are lots of them going off in all directions. And there are people in all directions too. Some coming up from Ilkley by way of the tarn, most like us wandering from the Cow and Calf and others from over the moor. Dogs, in all shapes and sizes, are everywhere, which gives Zola plenty of canine interactions, Clare is on hand to call her in when things are starting to get out of hand. I am amazed that she can bound off into the distance (Zola, not Clare), in a place she has never set foot in, and keep reappearing at our heels. The bracken is dead which helps us find the narrower paths. All the time we have a panoramic view of Ilkley down below in the Aire valley. P1020983P1020984

‘Head towards a plantation’ was the next  instruction, yes, but which one? A solitary Stanza Poem fingerpost then takes some of the adventure away. The sound of the beck meant we were close. ‘Scramble up alongside the beck’ was our instruction – but steps have been provided recently. ‘Squeeze through between a gorse bush and a boulder’  the guide says. But someone has cut the gorse bush back. Is this all down to the YouTube/Instagram/what three words phenomena creating honey pots in our wild countryside? I’m beginning to feel a little cheated, this was to be the climax of our poetry trail with the most difficult stone to find. Zola obviously finds it for us, but then in the end we have it completely to ourselves. P1020990P1020995P1020996

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False trail 

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Is this what you are looking for?

What a spot, a wild tumbling beck with the brown bracken clinging to the hillside. Water is splashing around the rocks and there in the centre of it all is the Stanza Stone. A proud boulder sitting in the flow as was Pipa Hall when she carved out the letters. We ask ourselves how did they find this elysian place?  P1030027

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It is all one chase.
Trace it back the source
might be nothing more than a teardrop
squeezed from a Curlew’s eye,
then follow it down to the full-throated roar
at its mouth – a dipper strolls the river
dressed for dinner in a white bib.
The unbroken thread of the beck
with its nose for the sea
all flux and flex, soft-soaping a pebble
for thousands of years, or here
after hard rain, sawing the hillside in half
with its chain. Or here, where water unbinds
and hangs at the waterfall’s face, and
just for that one, stretched white moment
becomes lace.
©Simon Armitage 2010

A bit of precarious scrambling had us up close to the poem which is slowly taking on the patina of all the other water splashed rocks. What will it be like in another ten, twenty or fifty years? all a very short period of time for the stones up here on the moor. The references to the curlew and the dipper are perfect for the situation. If you have read any of Simon Armitage’s poems you will recognise his acute observation, engagement and ability to weave his words. If you haven’t, a good start would be an anthology of his writings – Paper Aeroplane, 1989 – 2014. The title poem at the very end is one of my favourites, a self-effacing offering worlds apart from Tennyson, Simon is no stuffy Poet Laureate.

Where next? Well I had suggested we explore the wild moor looking for those thousand years old markings in the rocks up here. Cup and ring marks and geometric carvings. I won’t bore you with our subsequent wanderings. Zola probably derived the most benefit from the open moorland obstacle course. Did we find any? I can’t say for certain, lets just leave it there. I don’t know who C Clark and Crackety Jack are.P1030074P1030048P1030051P1030053P1030062P1030111P1030094P1030100P1030120

Our only trophy was stumbling across a ‘poetry seat’ constructed in line with the poems. The sign said Marsden 451/4 miles, where we had started with Snow up in the quarries at Pule Hill in October. We have not walked the whole trail but picked off the stones on the way – Rain, Mist, Dew, Puddle and now Beck. Whichever way you approach it this gives a wonderful feeling for the Pennine scenery, the vagrancies of its weather and the talent and inspiration of the poetry team.

Going with the flow Clare posts a poem into the letter box. I wonder when it will next emerge.P1030088P1030087P1030083P1030080

On our way back to the car I indulge in some reminiscing of those carefree climbing days long ago. P1030103P1030109P1030123

There was no congratulatory drink in the nearby Cow and Calf Inn, a quick toilet stop and I was happy to be on my way home before all those high intensity car headlights had chance to confuse me. How the mighty have fallen.

***

There is however a post script. Our journey is not yet done.

The final Stanza?  Armitage and Hall spoke about a seventh, hidden Stanza Stone. Although they disputed its size, both agreed it was fairly small and had been placed within either a “wooden casket” or “hollowed-out log”.  Armitage added: “We took it to a place above Hebden Bridge, where the Ted Hughes poem ‘Six Young Men’ is set, and placed it under the riverbank there.” Shortly afterwards the valley was flooded, “so we’ve no idea where it is now. It’s either in the Atlantic, or in the North Sea – or lying in someone’s cellar in Todmorden”.

Let me know if you come across it.

***

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PENNINE POETRY – MIST.

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Simon Armitage’s Stanza Stones – Mist.

We, Clare, JD and I, are well on schedule for our quest to visit the final Stanza Stone for today. After the Snow and Rain along comes the Mist.

The scenery changes on our onward Northern drive, deep wooded valleys crowded with solid stone terraced mill houses.  Cragg Vale, Mytholmroyd (birthplace of Ted Hughes, Poet Laureate 1983 – 2008) Hebden Bridge, Pecket Well. We start dropping off the moor into Oxenhope when a steep narrow lane brings us back into the hills looking for somewhere to park under Nab Hill.

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A muddy track leaves the lane, we check GPS that it is the correct one, a Stanza Stone waymark is soon noticed. Passing small quarries, no soaring climbing faces here, the rock is softer and splits into thin slabs possibly to be used as stone roof tiles common in Yorkshire at the time. We are on the lookout for a larger quarry on the right and then a stone cairn. Wind turbines look down on our wanderings. The problem is that there are several piles of stones on the edge of the moor, when is a pile of stones or a stone shelter a cairn? I dismiss the first stones and head farther towards an obvious larger cairn, ignoring smaller ones on the way. There is doubt in the team. The clue we have is to drop below the cairn to find slabs of rock. Nothing obvious here, how far down the slope should we go? We repeat the process under the other ‘cairns’. JD wanders off to pinpoint the OS map’s indication of the stone with his GPS, that doesn’t help. Clare scouts the lower ground, there are lots of slabby rocks about. I ponder that not being able to find the Mist Stone in the mist would be ironic, we are having difficulty on a perfect day. At last back at the first pile of stones we discover the correct slabs. P1000198P1000218

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The story goes that one slab was lifted in situ for Pip Hall to carve, it had a hairline crack down the centre and as the stone was moved it split, much to the consternation of the workmen. Undaunted Pip carved each one independently to later place them together, so that the lines hopefully read as one. (The picture of the split comes from their book) One has to give some thought to this lady out on the moor in all weathers carving away. These slabs are of a softer grit than the ones previously visited, Snow and Rain, and the lettering paler. Simon’s poem is equally evocative though, looking out over the valleys and moors where the Bronte Sisters once roamed for inspiration. Lichens are spreading out over the letterings giving them a more ancient look than their mere 12 years – come back in another 12 years. Someone’s ashes are scattered around and will slowly be blown across the moor or crushed underfoot.

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The split slab back in 2011 before repositioning.  

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Mist.

Who does it mourn? What does it mean, such
nearness, gathering here on high ground
while your back was turned, drawing its
net curtains around?

Featureless silver screen, mist
is water in its ghost state, all inwardness,
holding its milky breath, veiling the pulsing machines
of great cities under your feet, walling you
into these moments, into this anti-garden
of gritstone and peat.

Given time the edge of
your being will seep into its fibreless fur;
You are lost, adrift in hung water
and blurred air, but you are here.

The three Stanza Stones we have visited so far have exceeded my expectations and I can’t wait to return with our team to the Ilkley Area, home of the Literature Festival where the idea was born, to discover the remaining three, Dew, Puddle and Beck. Wouldn’t it be great to find the fabled seventh, but I suspect that will only appear to an alert walker somewhere on the Stanza Stone Trail.

***

My navigation skills have improved for the drive home, – these are roads I know well up above Wycoller. We even have time to stop off to look at one of East Lancashire’s  Panopticons, The Atom. Both a shelter and a viewing point over the valley and to Pendle Hill. I am sure from memory that when it was first installed there was a stainless steel atom in the centre of the ‘Molecule’ – no sign of it now.

(The other three are Colourfields in Blackburn, The Singing Ringing Tree above Burnley and The Halo above Rossendale.) P1000231

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The day couldn’t have gone better. Sunshine, excellent company and three poems found and enjoyed.

PENNINE POETRY – RAIN.

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Simon Armitage’s Stanza Stones – Rain.

15 miles of scenic driving on open moorland roads and then through densely knit and gritty Pennine communities brought us to the White House Inn on the road out of Rochdale. We have just come from Marsden where up in Pule Hill quarry we found and admired our first Stanza Stone, Snow, a water themed poem by Simon Armitage skilfully inscribed by Pip Hall. This is one of six, or maybe even seven, scattered on the rugged Pennine Watershed between Marsden and Ilkley. There is a 45-mile walking trail between them all, but we have chosen to use the car and visit them individually. We have resisted the idea of visiting each stone according to the weather depicted. Let’s enjoy today’s sunshine.

The White House is an iconic moorland inn situated where the Pennine Way crosses from the peaty horrors of the Peak District peat to the pleasanter Yorkshire Dales. Many long distance walkers have been known to give in here. Most people today are either enjoying lunch in the pub or doing short walks from the road, as are we. CaptureStanza 2

The Pennine Way is followed alongside an aqueduct connecting several reservoirs. All level walking. I camped along here once with my young son on a Lancashire Borders Walk. Sensibly we had eaten well in the pub beforehand and only needed water for a brew. The brown peaty solution didn’t need a tea bag, today my tea was already brewed safely in my flask along with a picnic lunch.1qhsxyqg

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A miniature arch took us over the water and into Cow’s Mouth Quarry. This is where I become boring once more as I try and trace routes climbed way in the past. They are mainly slabs, with often little protection available, needing a steady head. Nowadays with bouldering mats the picture has become blurred between a roped route and a high ball boulder problem. P1000189

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But I’m not here to climb today, I’m with Clare and JD looking for the second of Simon Armitage’s Stanza Poems – Rain. This one is easy to spot being at the base of a rock face right by the path. Pip had a lovely canvas to write on, but advice was first taken from climbers so that no footholds were destroyed, or new ones created. Pip’s carving seems more pronounced than on Snow back at Pule Hill, this rock, being more compact, maybe helping. The letters are imbued with gold.  We read aloud the poem marvelling at Simon’s turn of phrase. P1000181

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Again here is the poem in case you can’t make it out in the pictures.

Rain.

Be glad of these freshwater tears,
Each pearled droplet some salty old sea-bullet
Air-lifted out of the waves, then laundered and sieved, recast as a soft bead and returned.
And no matter how much it strafes or sheets, it is no mean feat to catch one raindrop clean in the mouth,
To take one drop on the tongue, tasting cloud pollen, grain of the heavens, raw sky.
Let it teem, up here where the front of the mind distils the brunt of the world.

We find a sheltered spot for lunch. I forget to take a picture of the extensive views across the moors with distant reservoirs, wind farms and mill chimneys. I am on too much on a high from the poetry – tasting cloud pollen. We wander back with shared tales of moorland adventures.

Fellow us farther on our poetry quest.

PENNINE POETRY – SNOW.

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Simon Armitage’s Stanza Stones – Snow.

Simon Armitage is steeped in Pennine Grit. Brought up in West Yorkshire and living in Marsden in particular, his works have been influenced by the rich heritage of the area. I have been reading a few of his books and poems recently and feel an affinity to his working class background. When you delve deeper you realise the profound and original intellect of the man and his ever widening focus. That’s why he is Poet Laureate.

My friend JD, who has featured many times in these posts, told me about some of Simon’s readings on the radio, such as his journey as a modern day troubadour down the Pennine Way, and more interestingly his series of poems carved and brought to life in the rocks of the high Pennines. The Stanza Poems, six poems on the theme of water in various forms: Snow, Rain, Dew, Puddle,Mist and Beck,  a collaboration between himself, Pip Hall the stone carver, and local expert Tom Lonsdale, a landscape architect. Those looking hard enough might stumble across a seventh Stanza Stone, a secret stone left in an unnamed location within the Watershed area, waiting to be discovered and read. As far as I know nobody has.

I bought the book and was immediately fascinated. Stanza Stones a book by Simon Armitage, Pip Hall, and Tom Lonsdale. (bookshop.org)

What they have produced is truly magical and the insights of the protagonists brought to life in the book. I take my hat off to the literacy skill of Simon but equally so to the dedication and art of Pip the sculptress which will be borne out in our efforts to locate the stones.

A fairly tough trail, considering the moorland terrain, of 50 miles or so has been worked out between the carved stones from Marsden in the south to Ilkley farther north. Suffice to  say JD and I never got around to walking it, mainly because I thought some of the 20-mile days across rough moorland with no bed at the end was too much for me to contemplate. I happily compromise and suggest a motorised raid to the individual stones. The idea catches fire and in a conversation with the ‘Slate Poem Lady of Longridge Fell’ (another story enacted in my lockdown posts) we have a willing and knowledgable accomplice. Welcome aboard Clare, one of her slate poems in her garden says it all.

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Messenger. Mary Oliver.

Cometh the day cometh the hour. We are off to Marsden with a fair forecast. I’m afraid to say my navigational skills fell short of the sat nav lady whom I chose to ignore. We came at the first site in a round about way, but the moorland scenery and deserted roads were worth it. Mutterings from the driver and the other passenger who kept well clear of any navigational mistakes. CaptureStanza 1

An unpretentious lay-by below Pule Hill, west of Marsden, is our starting point. The steaming brick ventilation shafts of the Manchester to Huddersfield railway are obvious above us on the hillside. As well as the railway down there somewhere the narrow Huddersfield Canal goes through the Standedge Tunnel, the longest, highest and deepest canal tunnel in Great Britain. Their combined  history is worth a read, it’s a lot more complicated than you think. Above all that are the ramparts of Pule Hill quarry and rocky edge on the skyline. Fortunately for us the original quarry incline is still intact giving an easy climb up into the workings. Memories of plodding up here with ropes and gear for a day’s climbing come flooding back, and I feel a quickening in my step. We are impressed with the amount of quality stone work just giving access to the quarries. What a substantial industry of men must have worked away on these slopes. P1000147

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I’m distracted by the quarry rock faces I have ascended in the past whilst the other two go off in search of the poems engraved in stone. P1000168

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Nature’s art.

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At the far end of the quarry are two large blocks built into the wall and there is our first poem laid out in front of us, letters carved into the two stones bringing out the colours of the rock from those past quarrying days. We trace with our fingers across the rock surface. Already after 13 years the patina is changing, and green lichens are crossing the letters, what will another decade bring. There is already some slight damage caused by man. P1000167P1000160

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Here is the poem transcribed as it is difficult, but not impossible if enlarged, to read in the photos. The stanzas cross between the two stones.

Snow.

The sky has delivered its blank missive. The moor in coma.                                   

Snow, like water asleep, a coded muteness to baffle all noise, to stall movement, still time.

What can it mean that colourless water can dream such depth of white?             

We should make the most of the light.                                                                           

Stars snag on its crystal points. The odd, unnatural pheasant struts and slides.

Snow, snow, snow is how the snow speaks, is how its clean page reads.

Then it wakes, and thaws, and weeps.     S A.

Before we leave, we discover a beautifully constructed curving wall seat inscribed with ‘Ilkley 45 1/4 miles’ which is the distance to the last stone via the trail, thankfully we have the car to take us onwards.P1000170P1000169

We skip happily down that incline, pleased to find the first stone and captivated by the scenery and the poem it now holds. Let it snow.P1000176

***

“both the water of life and the river of death”

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The walking  and even the gardening has been put aside, and I’m spending a lot of time reading whilst it rains outside. My cousin has just published a comprehensive history of the parish of Bolton by Bowland. (Spot the B connection). He has lived there for many years and has spent much of his time researching the history, geology, genealogy, ecology and everything else interesting relating to the village and surrounding area. I’m already well through my complimentary copy and have learnt so much more of our nearby neighbourhood and English history in general.

(Our Craven Parish. Bolton by Bowland.  John Pallister.  ISBN 978-1-911138-39-6.  Amazon doesn’t stock it. When I see John next week I’ll find out where it is available.)

That brings me to that other subject – my aversion to Amazon. I don’t like to be controlled by some giant all invading corporation.  I have no wish to subscribe to Amazon Prime when I try to order a paperback. Can one control the internet?  I suspect not. Unfortunately all of us are hooked, even by innocently reading this post you are being tracked. I use the independent Blackwell’s or Abe books wherever possible. I now find out that Abe, even though they support smaller suppliers, is connected to Amazon!  What is the future for independent bookshops? They need the internet to sell their hidden volumes and yet Amazon must be contributing to the physical bookshops closing every week.  “both the water of life and the river of death”  is a quote from Simon Armitage, our current Poet Laureate

I’m presently into Simon Armitage, with an ongoing project to visit the Stanza Stones, his poems carved into Pennine rocks by Pip Hall.  http://www.stanzastones.co.uk/

Walking Home by Simon, his journey on the Pennine Way back to his home in Marsden. is a book I have just finished. A modern troubadour paying his way by poetry recitals in a variety of venues along the way. I found his writing engaging and romped through the volume. So it was back to Abe for the follow-up Walking Away. a similar trip bringing to life the SW Coastal Path. All Points North is a gritty and amusing  predecessor. He certainly does have a passion for observation and words.

It’s still raining, so I will start on something different, the next book.  A Celebration of Lakeland in Winter by a John Pepper. A recommendation from George at  Lakeland Walking Tales ‹ Reader — WordPress.com  That’s the value of blogging and linking into far more professional sites than mine.

My simple reading list is endless, and maybe I have added to yours.