Category Archives: Art and architecture.

A SMALL STRETCH OF COAST.

P1090292 I’ve just cycled a 16mile stretch of the Fylde coast, Fleetwood to St. Annes and then back again. As I’m putting my bike back in the car I spot a heavily laden touring cyclist.

“Have you come far?” I ask.

“Yes I’m cycling around the coast of Britain”

“Gosh – For charity?” I ask seeing the Multiple Sclerosis logos on her T-shirt.

It turns out that Lis has been diagnosed with MS in 2013 but is determined to complete this 6000mile challenge to raise funds for the MS Trust as well as benefiting her own health. She is amazing, full of enthusiasm after three and a half months pedalling. We swap a few stories, I donate to her charity, and she cycles on towards Blackpool and then Preston. The balloons on her bike celebrating her 50th birthday today. I’m well and truly humbled with my small stretch of coast. https://www.justgiving.com/fundraising/LisvanLynden P1090282

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My day started when my clandestine climbing partner phoned to say he might have caught Covid on his recent trip to Montenegro and didn’t think he should go climbing. Neither did I.

The bike was already in the back of the car, and soon I was on the M55 heading to the Fylde. The traffic was heavy, I wondered about the possible bank holiday crowds on the promenade in Blackpool. However, parking at Fleetwood sea front is always easy. I pedalled down the coast, had a snack at St. Annes and pedalled back against the wind. The only busy spots were between the tower and the pleasure beach. ‘Kiss me quick’ hats de rigueur.

Empty prom north of Blackpool.

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Crowds thinning out on St. Annes beach.

Heading back to Fleetwood.

‘Steampacket’ to Ireland passing Black Combe and Barrow.

Job done – well not quite. In the week I had listened on Radio Lancashire about the unveiling of a memorial to a lost trawler boat, the Goth.

GOTH.

The trawler, the Goth, failed to return in December 1948; 21 men were lost in a fierce storm off Iceland. Then, 50 years later, the funnel of this vessel was trawled up in the net of an Icelandic boat, Helga. The Goth’s last resting place is now known. The funnel was eventually brought back to Fleetwood – to become a lasting memorial. It survives as a reminder of the Fleetwood fishing community and a way of life of courage, comradeship, generosity and good humour.

Fleetwood at one time was a major port, the third largest in Britain, for the trawler industry, no longer alas. On the seafront where I park are several reminders of the hardships and losses of these seagoing boats and crews.

Welcome Home. Anita Lafford

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Past this place, the fishermen of Fleetwood have sailed for generations while their families watched from the shore. Their courage and comradeship under hardship is a living legend. This memorial, depicting equipment from a trawler, was placed here in recognition of the great contribution which the men and women of the fishing community have made to the life of Fleetwood.

The plaque lists 39 trawlers lost in 50 years with an awful loss of lives, which can be seen if you click and enlarge this photo — P1090287

But there was no sign of Goth’s funnel along the seafront with the other tributes; I had to ask a local where the memorial funnel is located. He somewhat ashamedly tells me it is on an inland roundabout next to Asda! I drive there and park up. A grotty path around the side of the supermarket takes me to the edge of the busy roundabout. And yes here is the memorial funnel squeezed ingloriously into the roadside.

P1090234 P1090231 P1090235 I can only assume that the cooperative cash of Asda has paid for this location. But how on earth has it been approved – nobody can see it. I challenge Wyre Council to come up with a decent reason. How much better if it had been located on the seafront or at Mount Park for all to appreciate. Lunacy.

Listen here. https://www.bbc.co.uk/sounds/play/p0jcxlyb

One day I will find time to visit the Museum housed in one of the oldest houses of Fleetwood.

END OF AN ERA.

LANCASTER MARITIME MUSEUM BY DEFAULT.

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My bike has lain in the back of my estate car since early June when the day after a ride in Morecambe Covid eventually caught up with me, but that’s another story. Today was my first ride since then. I was pleased with my progress to Glasson Dock along the Lancaster Cycleway on the old railway track. A cheese and onion slice at the wonderful village shop went down a treat. Forget the touristy snack bar on the marina. I watched the children ( and their Dads) catching crabs from the dockside. All I had to do was cycle back the 10 miles to Halton.

Lunch at the village shop.

Quayside fishing,

Crabs galore.

The motor cyclists hang out.

Down a side street – do you remember these?

The only excitement along the way was a lady cyclist who came past me remarkably quickly. Of course, she was on an electric bike and disappeared into the distance. That set me thinking.

Would it be worth buying one, how long does the battery last, how heavy are they? For me, one would only be useful for that extra push up the hills that I find increasingly difficult.
How legal are they on cycleways shared by pedestrians? One would not be allowed a motorcycle on a cycle/pedestrian route. Apparently in cities they are becoming the transport of choice for muggers snatching valuables – silent assassins.

I pedalled sedately along into Lancaster. How many times have I been past the Maritime Museum and never visited it? I was in no rush so decided there and then to rectify that omission. They kindly allowed me to take my bike inside as I didn’t have a lock. £2 admission fee seemed very reasonable, if I had carried my Art Fund Card with me, it would have been cheaper.

One and a half hours later I emerged from the museum well satisfied. It is based in the original Lancaster Docks C18th Custom House and an enjoining warehouse overlooking the Lune on St. George’s Quay. (header photo)

Before Lancaster Port and Glasson Dock were established Sunderland Point was the main port on the Lune.

The harbour front Sunderland Point.

Unloading cargo at Sunderland Point, c1890

There were extensive and informative displays on the history of the port of Lancaster, focused on the transatlantic trade which made the city prosperous. This obviously involved the slave trade picking up Africans cheaply and transporting them inhumanly to the West Indies for profit and then the goods that then came back to Britain – sugar, rum, cotton, timber, tobacco. Ship building became a significant industry in the area and a furniture making firm Gillow’s established itself in the C18th. Felt hats were manufactured in Lancaster which I didn’t know. All these facets of life in Lancaster were thoroughly explained with a great selection of artefacts and photographs.

The price of a slave.

Cotton and rum in the warehouse.

There was detailed information on the history of the local fishing industries. Salmon from the Lune, Shrimps, cockles and mussels from Morecambe Bay.

Cockling, Morecambe Bay.

Salmon fishing in the Lune with haaf nets.

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A fisherman’s cottage.

The perilous sands of Morecambe Bay were explored with mentions of the ancient crossing routes, still possible today with a local guide. The many deaths though were highlighted.

From a gravestone in Ulverston.

Morecambe had its own history from a minor fishing port, to a passenger port for the Isle of Man and Ireland, a bustling early and mid C20th holiday resort (Bradford by the Sea) and the development of the port of Heysham not forgetting its nuclear power stations. All presented with excellent interpretation and original artefacts. 20220817_151740

The ‘super’ lido.

Aqua-Loonies

Painting by Norman Wilkinson.

The coming of the canals and the railways was well documented. Included were the original plans for an Aqueduct over the Ribble at Preston to connect to the Leeds Liverpool Canal, this never was materialised, and instead the tram bridge was constructed. The latter is currently closed due to safety issues and one wonders whether there is the will or the finance to repair this historic structure. I was impressed with the ‘express’ passenger canal barge preserved in an upper room, these, with regularly changed horses, reduced the time of travel on the Lancaster Canal when coach travel on rutted roads was slow and uncomfortable.

Inside an express canal barge.

A lot of the exhibits were to attract children with interactive features, but this didn’t distract from the amount of serious, learned and well presented history throughout.

In a room in the warehouse section I watched a video detailing the history of Lancaster since Roman times. Well worth the time. By then the café had closed, and they were ready to throw me out at 4pm closing time. Highly recommended, and you need a couple of hours in there to appreciate all the exhibits. 20220817_153242

I was the last car at the Halton Station.

CICERONE’S LANCASHIRE – back on the trail.

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P1090151 It’s two months since I was last able to do a walk out of Mark Sutcliffe’s guide book. Finding one locally I strode out today on his Jeffrey Hill chapter. The suggestion was to park at Little Town Dairy, a farm shop, nursery and café. I feel guilty using a businesses’ car park if I’m not giving them any business so I parked by the road higher up on the route, which was to prove tiresome later in the day.

I had reservations about the initial route through the upmarket barn conversions at Dilworth Brow Farm, previously a run down property. There was no need to worry, the path through was obvious, and even the local dog was friendly. Every farm seems to be erecting holiday lodges, Is this a result of the recent ‘staycation’ mentality?

An uncertain start.

Dilworth Brow.

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Once into fields I could enjoy views over the Ribble Valley and distant Pendle as I dropped to an ancient bridleway. Being enclosed and sunken this was once a boggy mess, but drainage has been installed and an upgraded grit surface added. This was only a short section of the right of way, one wonders why certain paths are improved (a further one later) when others are neglected.

Note the size of the left-hand gatepost.

I made the obligatory short diversion to view the Written Stone, I have written of this before,excuse the pun. A car passes down the farm lane, I thought I recognised friends from years ago and regretted not stopping them. As I walked through the tidy environs of Cottam House I asked a man about the history of the place, he turned out to be the son of the above couple. So we had a catch-up, I passed on my regards and walked on.

The Written Stone.

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This was the start of a slow climb back up to the ridge of Longridge Fell. Rough ground skirting the golf club and then the road up to Jeffrey Hill at Cardwell House. A large walking group was coming past and didn’t seem over friendly, head down mentality. There was a straggler taking some interest in his surroundings. We ended up in a long conversation about all things, as he said “it’s not dark till late”. I felt he had lost connection with the route march he had been on. Nobody came looking for him.

Up to Jeffrey Hill.

The Ribble Valley and Pendle.

No time for stragglers.

I took a picture of the iconic view which I mentioned in a recent post. A ‘glass wall’ has replaced the iron railings depicted in the painting I own from 40 years ago.

That view from Jeffrey Hill.

Nearby was a bench for refreshments. Some stones had been intricately carved as part of an art sculpture from 2014, It was a shame they removed the star of the installation, the Sun Catcher.

Remains of the sculpture installation.

Now steeply downhill, look at the contours, ending up on the road at Thornley Hall. The ford leading off the road was surprisingly full. The next bit of track starts as a track but quickly becomes an overgrown narrow path, the book advises a stick for hacking back the vegetation. I happily swashbuckled my way along and at the end came onto another strange short stretch of gritted path.

Looking back up to Jeffrey Hill.

The listed C18th Thornley Hall.

The ford.

A promising start to the bridleway…

…soon becomes this…

…and then unexpectedly this.

Familiar lanes took me past Wheatley Farm and a house that always has a splendid floral display. Onto the busy main road where care is needed on the bend. I was glad to be back in the peaceful fields of Chipping Vale under the Bowland Hills. Heading towards Little Town Dairy where I could have parked at the start, but no I was faced with another steep climb back onto the fell. I reckon I had climbed over 1000ft in the 7 miles which took me 4 hours including all those stops. P1090169

Wheatley Farm, 1774.

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One has to spend one’s money on something. 57 has gone shopping.

Parlick and Fairsnape.

There was one more encounter at Sharples House. The farmer there had previously talked of having the largest cheese press in Lancashire, I believed him. In the past many farms in the area made their own cheese, tasty Lancashire. Today he seemed in a good mood, so I enquired further, and he took me to see the stone, it was indeed large and must have weighed a ton. He explained that the house was from the late 17th century. A former occupant, a Peter Walken (1684-1769) had been a nonconformist minister as well as a farmer. Uniquely he kept a series of diaries, most have been lost but two from 1733-34 have been found and published by a researcher from Preston museum. The present farmer was contacted and was able to see the journals but described them as boring, though they must have given an insight into farming life in the first half of the 18th century. He also told me of a mystery from the last century when two thieves broke into the house killing the farmer, but the daughter perhaps escaped hiding in an adjacent barn. One wonders how much local history has been lost. P1090183

There is another mystery just along the lane at Birks Farm – what is this structure in the wall built for? I should have asked the last farmer, next time. P1090184

Up the steep lane, over the last stile and I finish this splendid walk back at my car overlooking Longridge. P1090186 P1090189 P1090190

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A BLOGGERS GIFT.

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Beacon Fell.

My friend and blogger Sir Hugh, conradwalks , often talks of ‘a bloggers gift’ Some unexpected happening or conversation that brings the story to life. He seems to collect these occurrences on a regular basis, many of them centred around a cup of tea with complete strangers. I’m secretly jealous.

Picture the scene – we are walking down a country lane when a man recognises me and enters into conversation. We are just passing his house, and he suggests showing us around his garden. We are not rushed for time, “Yes we would like that” was our innocent reply. The garden was large and unruly with many interesting plants. His main passion was apples and he had many varieties, most grafted onto stock by himself. We had finished the garden tour when his wife offered us tea, we couldn’t refuse. Next thing we were seated in the garden with tea and chocolate birthday cake. Talk was inevitably about the old times, we had many shared acquaintances.

As we came away after a good hour in their company I realised I should have had a photo of the occasion – a bloggers gift. Too late, what a missed opportunity.

Anyhow, here are a few photos from our stroll around the Whitechapel area beneath Beacon Fell. The emphasis was on beautiful Lancashire pastures with extensive views and on the multitude of very expensive properties, you don’t get much for less than a million. Mike was prospecting a possible route for a walk he is leading later in the month starting and finishing at the newly refurbished Cross Keys Inn.

Whitechapel St James Church.

Into the fields.

Himalayan Balsam in profusion.

Hydrangeas at Crombleholme.

Modern day fencing.

Wood Fold.

Barnsfold barn conversion.

C17th Ashes Farm, moated.

Cross Keys Inn, closed on a Monday lunchtime

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LITTER ON THE FELL.

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Longridge Fell looking across the green Chipping Vale towards the Trough of Bowland.

At the risk of raising the blood pressure of my, environmentally sensitive, readers – read on.

Following on from my brush with Covid I have not kept up with the walks featured in the Lancashire Cicerone Guide book. I hope to resume them shortly. Today I needed a gentle leg stretcher – Longridge Fell always has something to offer. I’ve not done a ‘litter pick’ up there for several weeks so that became the object of the morning’s stroll.

Parking up I was immediately confronted with discarded pizza boxes and drink bottles , also strangely two plastic motor oil containers. There is a litter bin 10 metres away, though admittedly it is usually full to overflowing. Not a good start to the day. P1090074

I set off on my walk intending to clear this mess up when I return, it won’t all go in my bag. Longridge Fell was bone dry making for easy walking though the threats of moorland fires must be high. I noticed the bilberries were very small perhaps a reflection of our lack of rainfall this June and July. The other thing that struck me was that the heather was already blooming – I seem to have missed some seasons this year.

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A sad finding on the ridge was a recently dead Kestrel. I could see no signs of it being shot, but I did wonder afterwards about possible poisoning. Should I have picked it up and sent to the RSPB or police for toxicology tests?

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Up to the trig point and back in a circle I half filled my bag with the usual doggy poo bags, drinks cartons and food wrappers. The short stretch on the road at the end provided an equal amount of rubbish dumped out of passing cars. All I had to do was pick up the rest of that rubbish in the car park.

This is a local beauty spot with a fine view of Chipping Vale and the Bowland Hills so there are always cars parked here. In lock-down it was a free for all with all the verges taken over, things are back to normal now. Today I noticed two artists busy painting the scene. I wandered over to have a chat and admire their work. One was using watercolours and the other acrylic, they both complained about the high temperature affecting their paints. What a talent to be able to capture that view with a few brushstrokes. I wish I had asked them to email me a copy of their finished paintings. That reminds me, I have on my study wall a watercolour of the very same scene done for me by a Mr. A Long, an artist who lived in Longridge 40 odd years ago.

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Mr Long’s painting.

What a contrast from two gents fully appreciating their environment to the louts who drive up here with their takeaways and don’t take them away.

CICERONE’S LANCASHIRE – To the points.

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I’ve never been fully around Sunderland or Bazil Points so walk no 18 in Mark Sutcliffe’s Cicerone Guide to Walking in Lancashire was an attractive proposition especially as it was flat as a pancake which suited my crumbling body.

I have a fear of rising tides, so the logistics for this walk were important. Tide timetables were consulted and double-checked, last Saturday looked good with a low tide at 9am. Unusually for me, I was parked up at Overton at 9am. Would my car disappear under the waves whilst I was out, I said I was nervous about the tides around Morecambe Bay. Remember the disaster in 2004 when at least 21 Chinese illegal immigrant labourers were drowned by an incoming tide whilst picking cockles off the Lancashire coast.

There was little sign of water as I walked across the causeway, just mud and marsh grass in all directions. The Sea Thrift gave the area a pink glow. A few cars passed heading to town. Soon I was at the few houses that call themselves Sunderland, once the major port for Lancaster and beyond. I wrote of the history of this place when I visited in October last year.

That time I was on my cycle so didn’t go right round the point itself. Today I continued past the last house onto the rocky shoreline and found a place to sit at the very end looking out over the Lune to Cockerham and distant Knott End. There was Plover Lighthouse seemingly on land today. As the tide was well out there were virtually no waders on the shore, just the odd shelduck, but curlews were calling in the fields behind me and goldfinches flitting through the gorse bushes. A local lady walked by and talked of the unique life here. I enjoyed the peace and the view knowing that when I turned the corner Heysham power stations would dominate the landscape.

Glaucium flavum only found on the coast.

I passed by Sambos Grave and the Camera Obscura, I couldn’t resist going inside for the upside down view. Cows were grazing on the marshes. A wild rose had the most delicate perfume.

Up at Potts’ Corner more people started to appear on the sands, presumably from the nearby caravan parks. Here I joined the zigzagging lane for half a mile before cutting across fields to use the sea wall leading back to Overton. The village is a cluster of cottages on an elevated site above the Lune. Some of the properties dating back to the C17th when it was a farming and fishing community.

I walked on to the church, one of the oldest in Lancashire. It was locked, so I couldn’t view the interior box pews and balcony. I found a seat near the Norman doorway and ate my sandwich looking over to Glasson. Then along came a gent in a tweed jacket, shorts and trilby, he cycled in to get some photos of the estuary as the tide comes in. Turns out we had mutual interests and spent a pleasant half hour chatting about this and that.

There was an old lane leading down to the shore from where at one time a ferry crossed to Glasson which looked very close. I walked around Bazil Point on the edge of the rocks, which would be difficult if the tide was in. Each gate on the way has a smart red sign. The point was as atmospheric as the one I’d walked this morning and as the tide raced in the surface of the water displayed a silver shimmering which I found mesmerising.

Ferry Cottage – considerably modernised. What a situation.

Looking back to Bazil Point.

At one stage I left the beach to walk in the fields, though I later found I needn’t have. The path left the field by a most unusual high stile down to the beach. By now I was surrounded by a herd of cows with a sturdy bull coming my way. I was glad of the escape route.

The bull is prowling at the top.

And then I was back at my car, still above the waters. What a magic area this is and well represented by Mark’s walk.

FLAG WAVING IN BLACKPOOL.

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I was confused by the rash of Bank Holidays and Jubilee Festivities and found myself in the midst of Blackpool’s celebrational party, and they know how to party here. The crowds were too thick to cycle through safely, I was returning from Lytham to Fleetwood on the promenade. This was my first time out on the bike since my collision here which resulted in torn knee ligaments. I was being extra careful.

I had accomplished my mission to visit the Mussel Tank which I’ve passed so many times without realising it was there, thanks to Shazza for highlighting it. There is some purpose to blogging after all. The tanks, built in 1934, were used for cleaning the mussels harvested from the muddy Ribble Estuary. By the mid 1950s the beds closed down, mainly because of changes in the Ribble channel affecting restocking. There were three tanks. A cleansing tank now the RNLI, a chlorination tank now the Ribble Cruising Club and the storage tank now the Mussel Tank which has been given a face lift as an open space for public enjoyment. There are interpretation plaques about the mussel trade, an art wall displaying ceramic tiles portraying local features produced by students at Lytham Sixth Form College. There’s also a large-scale mussel sculpture by a Martyn Bednarczuk which I thought resembled a smiling dolphin rather than a mussel.

One of the original tanks. Lytham St Annes Civic Society

I was glad to see that they had restored the sails on the iconic windmill.

Nearby was an installation by Tom Dagnall reflecting on the diversity of the SSSI Ribble Estuary.

It was time for an excellent coffee break in St. Annes.

There seemed to be an awful lot of people on the prom in the vicinity of the tower. I just assumed Jubilee celebrations but as I cycled on there were more and more camera clutching folk by the tram line.

I stopped to enquire and was informed of a parade of trams from the past. Nothing seemed to be happening, so I cycled on keeping to the higher way alongside the tramline. Eventually the parade arrived. A motley collection of Blackpool trams and an exquisite turn of the century Bolton tram. There was a lot of flag waving from the passengers, they must have thought me a misery. The photos may mean something to someone.

I made it back in one piece, quite pleased with the 30 odd miles I’d cycled.

I BELONG TO GLASGOW – Part 4.

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*****

Kelvingrove Art Gallery and Museum.

First stop on arriving in the immense baroque red sandstone Kelvingrove Art Gallery and Museum was their café where we relaxed and enjoyed a light lunch whilst the organ concert was taking place above.

This place is like the British Museum, Science Museum, the V and A, Natural History Museum and the Tate all rolled into one. It’s immense, one needs a battle plan to find a way around the multiple galleries on two floors. The entrance hall is large enough for concerts with the organ at the north end.

We were most interested in the art galleries in the east wings. We were straight into another Mackintosh exhibition. Lots of examples of his work and that of his collaborators. There was a partial reconstruction of a Glasgow Tearoom which he designed for Miss Cranston who owned several tearooms in the city. There was metalwork and glass from the same era. I was struck by the design of the leaded window as it was almost identical to those in my parent’s inter-war semi-detached.

The next gallery was devoted to an extensive collection of The Glasgow Boys. Encountered earlier in the University this group of local artists rebelled against Victorian sentimentality and revolutionised Scottish painting at the end of the C19th. Outdoor naturalistic painting of local scenes and people with strong brush strokes and later French-inspired techniques bordering on the abstract.

Time for coffee and cake,

Now on the first floor. Scottish landscapes, French art, Scottish Colourists and Dutch art. Quite a variety.

Lavish Scottish landscapes.

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Large French display – mainly impressionists.

Renoir.

Monet.

Signac.

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The Scottish Colourists, a colourful modern French style for Scotland at the start of the C20th.

J D Ferguson.

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Classic Dutch paintings.

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And in a room of its own ‘Christ of St John of the Cross’ by Salvador Dalí. This iconic painting was purchased by the gallery in 1952 for £8200 and now estimated to be worth £50million. Dali said he had dreamed the scene of Christ looking down on a shoreline from the cross, no nails or blood.

We had only seen a fraction of the displays in the Museum. In the west wings were a multitude of history, science and nature which we didn’t explore. There were some outstanding paintings on the landings surrounding the first floor and from up here one had a view into the two courts.

A bus back into town, a pint in the Counting House (Witherspoon’s superb use of an old bank) and back home to Preston in a few hours. Glasgow is certainly worth a visit whatever your interests.

I BELONG TO GLASGOW – Part 3

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*****

Mainly Mackintosh.

A taxi was used after breakfast to take us quickly up to the Hunterian Art Gallery in the University. The taxi fare of about £13 was almost as expensive as our train tickets from Preston to Glasgow, £15 for the two. From the outside the gallery was a big block of concrete, brutalistic Mike said. But inside is a hidden gem – The Mackintosh House.

Charles Rennie Mackintosh (1868-1928) was a renowned architect, designer and artist creating modern Art Nouveau buildings with the interiors and furnishings complementing his minimalistic ideas. His wife Margaret was a talented artist/designer and collaborated on many of his works.

One of their projects was to transform the interior of the house they were living in from 1906 to 1914, 78 Southpark Avenue. They had a vision for light clean lines, often taken from nature, and designed everything from the furniture to the curtains to create integrated spaces for living in. “the room as a work of art” Subsequent owners kept the interior and eventually Glasgow University took it over in 1945. The furnitures were put in storage and when the house was demolished in the 1960s the interiors were preserved along with drawings and photographs of the house. By 1981 the interior of the house had been carefully replicated inside the university art gallery and the original furnishings installed. Carpets, curtains and soft furnishings were produced from drawings and photos.

So we found ourselves stepping into the Mackintosh’s entrance hall from over a century ago. The adjoining dining room was more of a sombre hue with distinctive Mackintosh chairs. On the next floor up elegant stairs was the L-shaped drawing room created from two rooms, As soon as you enter you are transfixed by the white decoration, flooded with light from windows which replicate the original house’s orientation. All was sublime. Delicate details from Margaret compliment the distinctive furniture of Charles. Up a floor, and you were in the bedroom, again an L-shaped area. All white with furniture inspired by plant and bird forms. Everything was exquisite.

For an in depth look this video is recommended.

The adjacent art gallery had more of Mackintosh’s work, complemented by his wife, and fellow artists and collaborators, the husband and wife James and Frances McNair. This included a reconstruction of one of Mackintosh’s last interior schemes from Derngate, Northampton, 1916, pictured in the heading photo.

Adjacent galleries highlighted the painter James A M Whistler. I don’t remember seeing any of his works before and was particularly impressed by his long portraits, delicate impressionism. No sign of his mother.

The university gallery had several of the paintings of the Glasgow Boys and the Scottish Colourists.

The ‘Boys’ – an informal group of 20 Glasgow artists that came together in the early 1880s – they challenged Victorian Scottish painting, and developed a distinctive style of naturalist painting. Outdoor painting of local scenes and people with strong brush strokes and later French-inspired techniques bordering on the abstract. Whistler’s work was an influence.

Hornel, Henry and Gauld.

The ‘Colourists’ – four painters – Francis Cadell (1883–1937), John Fergusson (1874–1961), George Hunter (1879–1931) and Samuel Peploe (1831–1935). They used vibrant primary colours and simplified avant-garde forms. I first became aware of them at an exhibition in Woking in 2019.

Still Life . Cadell.

There will be more of these Scottish painters in the Kelvingrove Art Gallery and Museum this afternoon. Time for a break.

I BELONG TO GLASGOW – Part 2.

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*****

The Burrell Collection.

A good buffet breakfast set us up for a full day. The bus took us south of the Clyde alighting at the entrance to Pollock Park. A pleasant walk through the grounds and we were outside the Burrell Collection building, reopened in March after a major refurbishment. It originally opened in 1983 to house the vast collection of the Burrell family, gifted to Glasgow in 1944. Sir William Burrell, (1861–1958) a wealthy shipping merchant, devoted more than 75 years of his life to amassing one of the world’s greatest personal art collections, renowned for its quality of Chinese art, exquisite stained-glass and intricate tapestries, as well as its breadth of fine art. The galleries are built with a warm sandstone and lots of glass, situated in the middle of all the greenery of Pollock Park.

We were in for a bumper day. 9000 objects from 5000 years.

Burrell collected just about everything from all over the world and the first we noticed were the many medieval doorways from monasteries and country houses, they have been carefully incorporated into the building giving access between the galleries. The interior is a pleasing blend of stone, wooden beams and glass giving a beautiful light for the visitors.

In the covered courtyard is the Warwick Vase. It was found in the C18th in fragments in the villa of the Roman Emperor Hadrian outside Rome. It was restored and given to the Earl of Warwick. The Vase stood in the courtyard of Warwick Castle for almost two centuries until it was purchased for The Burrell Collection in 1979. A large marble sculpture in the form of a two-handled drinking cup, with motifs to the Roman God of wine Bacchus. So one of the star exhibits was not actually collected by the Burrells.

Off we went around the ground floor outer galleries with exhibits scattered throughout the rooms. Burrell started collecting Chinese antiques around 1910, Jades, porcelain and furniture from all dynasties.

Egyptian artefacts were well represented, and I was particularly pleased to see the lion head of the goddess Sekhmet, 1390BC. My cat Seth is named after this goddess, the name change when the vet pointed out his sex.

Suits of armour were everywhere, I was amazed at their intricate artistry and the fact that somehow they had survived intact from the C16th.

The museum is home to more than 700 ecclesiastical stained-glass panels from across Europe, and the outer galleries are ideal for displaying them with natural light.

You will all recognise this bronze Rodin statue.

Time for a coffee from the pop-up café in the entrance.

Now we delved into the inner galleries where pictures were protected from the outside light. I thought that the fantastic collection of master painters, Degas, Rembrandt, Manet etc needed more space to show them at their best.

There was an informative section on carpets, mainly Islamic designs. The C17th Garden Carpet from Iran was displayed with its animated video representation bringing it to life, showing how far museums have become more interactive and accessible

Upstairs were several galleries delving into the secrets of creating the masterpieces. Printing, lace making, woodcarving, metalwork, glassblowing, bronze casting etc etc. We should have left more time for these fascinating insights, but we were coming to the end of our visit and a restorative tea and cake in their café was called for.

I think we missed far more than we saw, and a return visit would be warranted. Once outside we decided to have a walk around Pollock Country Park and see the house where the National Trust for Scotland was started. We did not know what to expect but were surprised at the Georgian grandeur of the house. It had closed for the day, so we only admired it from the courtyard which was full of colourful azaleas. Walking through the stables we found a path following the river, White Cart Water, and skirting the gardens, with a view of the house frontage. The gardens were resplendent with blooming rhododendrons. We wandered back past the estate sawmills, closed for refurbishment, a cricket pitch and Highland cattle in the fields.

Back in town we enjoyed a pint in one of the oldest inns in Glasgow. The Scotia Bar established 1792. A friendly place with a good selection of ales – we had the session Belhaven. All around were pictures of old Glasgow and you could imagine the sailors of the past from the nearby docks sipping their pints in here. The subsequent Turkish restaurant was unfortunately a let-down.

A good night’s sleep is needed before tomorrow’s excursions.

I BELONG TO GLASGOW. Part 1.

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*****

The city.

As we sip our pints in the unique Counting House, a Wetherspoons pub created from an old bank in the centre of Glasgow, the words in the title come to me. If we had stayed too long in the friendly, but toxic atmosphere of this drinking emporium Glasgow would have belonged to me. Sensibly we cut the session short and went off in search of some food. We found the busy Madras Café and enjoyed some good Southern Indian food before returning to our hotel for the night.

Mike and I had travelled up from Preston to Central Station on the train this morning at a ridiculous £7.50 single fare. Our plan was to explore some highlights of central Glasgow and over the next couple of days visit the outstanding art galleries. Having an architect along would give extra value for me.

The ‘Merchant City’ area of Glasgow was developed from Medieval periods but came to the fore in the C19th when merchants’ money from shipping (tobacco, sugar, tea and slaves) created impressive Neoclassical buildings. Everywhere we looked were historic properties. Mike had a list. First up was the City Chambers (opened in 1888 by Queen Victoria) headquarters of various city councils over the years. All was marble, mosaics and mahogany. Unfortunately only the entrance chamber was accessible (post Covid regulations) giving some idea of the opulence.

On the outside wall of the Chambers were the official Imperial Linear Measures. Not normally of great moment but since our crazy government is thinking of resurrecting them in place of the Euro metric I thought a photo would be of historical interest. They may have an armed guard on them by now.

We were in George Square surrounded by imposing buildings and full of statues of notable Scots. Sir Walter Scott was 80ft up on his pedestal, towering over Robert Burns, James Watt, Victoria and Albert and several more.

As you can see we had a damp start to the afternoon. Our next objective, on the other side of the square, was the Gallery of Modern Art (GoMA) housed in a Merchant’s building, whose history was as interesting as the art. Built in 1778 as the town house of William Cunningham a wealthy Glasgow tobacco merchant who made his fortune through the triangular slave trade. It had been enlarged considerably over the period, namely the Corinthian pillars to the Queen Street facade, the cupola above and the large hall to the rear of the old house. Outside is the most photographed statue in Glasgow – The Duke of Wellington resplendent with traffic cones, four today! The council have given up on removing them.

The entrance opened out into a stunning oval stairwell illuminated from a distant skylight.

The art on show included black artists who have been in the minority in Scottish culture, yet their post-colonial legacy is important today. Tam Joseph’s Timespan was intended to be a representative leap forwards in racial equality and human rights.

On the next floor were recognisable modern paintings.

The top floor, Domestic Bliss, was less recognisable with contemporary installations.

Ready for a coffee and a sit down we headed downstairs to the café in the extensive library. I recognised this from a previous visit, but I couldn’t think when! They had just reopened after all the Covid restrictions that Scotland had imposed for longer than England. Good coffee and cakes.

Mike wanted to visit The Lighthouse, the former offices of the Glasgow Herald newspaper. Completed in 1895, it was designed by the architect Charles Rennie Mackintosh. The first of his designs we visited on our trip. Yet again delayed post Covid problems meant we couldn’t access the higher floors and the famous spiral staircase leading to the viewing tower.

Mike thought that the Cathedral, the oldest building in the city, C12th, would be a good place to visit, so we set off in the rain to walk up there. My camera didn’t like the moisture and refused to work, so I switched to my phone for the rest of the day.

The Cathedral was a massive Gothic structure – inside and out. Noticeably was a central pulpitum, a richly carved stone screen between choir and nave added in the early 1400s. The cathedral had survived the reformation intact. Somewhere in the crypt was a shrine to St. Mungo, we missed it. Some lovely stained-glass.

We re-emerged just as the rain stopped and were attracted to the Necropolis on a hill behind the Cathedral. Reached by a bridge this large Victorian cemetery has 50,000 graves, many of them with ornate mausoleums. Wandering around was like something out of a horror film, I was expecting bodies to creep out of some of the shrines. From up here the copper roof of the cathedral was very obvious, copper having replaced the over heavy lead. It was worth coming up here.

A restorative coffee in a fish bar, and we were on a train to the western dock’s area. The last time I stayed in Glasgow was here next to the Armadillo and the Finnieston Crane. We had a walk on both sides of the river, BBC on the south bank, as crowds queued for a Russel Brand concert.

Then it was back to the centre for that drink and meal, quite a busy afternoon.

CICERONE’S LANCASHIRE – Lunesdale and Kirkby Lonsdale.

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***

This is my latest route from Mark Sutcliffe’s guide to walks in the Red Rose county, although this one starts in Cumbria. Kirkby Lonsdale is a bustling market town in south Cumbria, My journey here had been slowed by several convoys of horse-drawn travellers probably heading to Appleby Horse Fair to be held next month. I park near the Devil’s Bridge where I know the parking is free, his suggestion of central parking is probably unwise.

The medieval Devil’s Bridge has three graceful, ribbed arches and is closed to traffic. I was in no hurry and in fact on arrival cross the bridge on foot to buy a coffee from the mobile stall, a favourite with motor cyclists, when at weekends up to a hundred may congregate here. It has also been the scene of youngsters ‘tombstoning’ into the river below, not to be advised. Chatting to a cyclist, of the bicycle genre, it transpires he has ridden from Preston in a time not that much more than double my car journey. The bridge has a legend relating to the devil, I liked this version…(ignore the plugs towards the end)

So it’s getting late when I start my walk downstream alongside the Lune. For two miles along this stretch all is peace and quiet, only a few dog walkers. The air is however full of rapidly flying Sand Martins, I’m almost mesmerised by their acrobatics. I suspect that this year’s juveniles are boosting the numbers. On the opposite side is a long low sandbank with obvious nesting holes visible. Ahead in the distance are the Bowland Hills, just visible in the rather cloudy sky. Behind are the Barbondale group of lower fells and there across to the east is the distinctive Ingleborough. Once he has attracted your attention you are hooked and spend the rest of the day taking more and more duplicate photographs. I make an effort today to avoid that trap, unsuccessful as you will see later.

Before long I’m heading away from the river on a flooded track up into the village of Whittington. Mark’s route takes a path parallel to the village road, but I am curious to see the old houses so take a slight diversion up the main street. I’m glad I did as there are some interesting properties many from the C17th, most of them listed.

Barn at Low Hall, late C18th…

…with pigeonholes and an owl opening.

Malt Kiln House.

The pub is closed.

The Old School. 1875.

Manor House.

The grand Whittingham Hall from 1831 is hidden down a private drive.

Eventually up the hill I reach the parish church of St. Michael with its early C16th tower. The rest having been largely rebuilt in 1875 by Paley and Austin, well known for their church architecture in Lancashire. Internally there is an elaborately carved chancel screen. The church is built on the motte of an earlier castle, where I sat in the sunshine enjoying a sandwich, The path I should have approached the church by was clear to see ahead of me. Whilst admiring the view I witnessed something I’d never seen before – an angry blackbird was chasing at low level a squirrel across the field. Presumably the squirrel had been attacking the bird’s nest.

Rest over I tackled the very steep lane heading north, it appeared to be a ‘green’ lane but was in fact a highway though I doubt few motorists would tackle it from the bottom. All was in fact very green and shady.

Once at the top I took diverted paths around Sellet Hall with views across to Barbondale and of course Ingleborough.

Sellet Hall. C17th much modified.

Down a meadow full of contented cows to Sellet Mill, a former water powered corn mill where the iron mill wheel has been preserved.

Sellet Mill. C19th much modified.

The continuing bridleway back up the hill was rather strange, behind the mill was the original millpond (now a leisure pond) and coming down into it a rocky stream. The bridle way took me straight up this stream, in parts the old cobbles were visible, but most will have been washed away. After heavy rain this way would be impossible.

At the top I came out into meadows above Kirkby Lonsdale with excellent views over the valleys and to, yes you’ve guessed it, Ingleborough. Again strangely the RofW went straight across the middle of a rugby pitch, what are your rights when there is game on?

Then it was through the middle of the Queen Elizabeth high school, I felt I was trespassing.

I found Kirkby over touristy. There are lots of interesting buildings and alleyways, but the town suffers from a traffic problem with cars everywhere, even though my photos seem to show an absence of them!. I was glad I’d parked out of town – be warned. The flags are out for the Queen’s Platinum Jubilee later this week, in case you are from another planet.

I made my way towards St. Mary’s Church. The oldest parts of the church are Norman, doors and pillars, but the structure has had numerous alterations over the centuries. Inside there are three Isles and the nave, so the church appears grand. Some of the Norman pillars have incised decoration similar to Durham Cathedral. I missed a ‘green man’ carved on one of the C12th columns. There is a C13th piscina in another.

The graveyard is extensive with some impressive memorials and at one corner is an unusual octagonal stone gazebo from the late 18th century which was formerly in the vicarage garden.

I’d come over here to visit Ruskin’s View, a celebrated view of the Lune as it curves gracefully in the wide valley with the hills beyond. Turner had painted this scene in 1822 and Ruskin, art critic, painter and poet had this to say about it – “I do not know in all my country, still less in France or Italy, a place more naturally divine.” Kirkby Lonsdale’s tourist jewel was set forever. Unfortunately there has been a land slip below the path which has therefore been closed for safety reasons. There was no way round it, so I give you this picture from the tourist board.

Disappointed I descended the steep Radical Steps to the river. The steps were built in 1820 for Dr Francis Pearson, a political radical, to divert the existing public footpath from his garden – a radical step. A level walk along the riverside, popular with locals and tourists, lead back to the Devil’s Bridge.

In its six miles an excellent walk, one of the best I have done from the book so far

*****

NEW PATHS AT HURST GREEN.

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I’ve probably walked out of Hurst Green dozens of times. The Tolkien Trail takes you along the River Ribble and going the other direction towards Longridge Fell you have the delightful Dean Brook and Stonyhurst College. Today I was walking with a group whom I first met at Haigh Hall a month ago – they always walk the last Wednesday in the month.

It was still raining when we met up at The Shireburn Arms at 10am. The forecast said it would stop at 12. I didn’t bring my camera partly because of the weather but also because in a group there are limited chances for photography. Of course, we all have our phones these days with functional built-in cameras. Anyhow, I didn’t expect to tread new territory.

As we walked up through the village and down into Dean Clough I contented myself with idle chatter. The interesting mill weirs and races in Dean Brook went unnoticed to most. The quarry, Sand Rock, where the building materials for many houses in Hurst Green originated passed us by. Greengore, a medieval hunting lodge of the Shireburns was duly admired. It is currently up for sale £1,250,000.

Onwards up the bridleway and I realise it has stopped raining which is a bonus for the assembled crowd, although it is very muddy underfoot. We are on the edge of woodland belonging to Stonyhurst College where they have their own private lake as a water supply and fishery. I have trespassed many times into those secret lands where there is a hidden cross, Park Cross, with a history going back possibly to a Maria Shireburn, whose body may have been carried past here on the way to her burial at Mitton in 1754. It is one of nine Stonyhurst crosses I incorporated into a walk from Hurst Green. I digress.

To my delight our leader takes us off on a bridleway through Hudd Lee Woods an area I had never knowingly trodden. The bluebells were over but the greens of the beeches and ferns were splendid, as a little sunlight filtered through. My spirits were lifted.

On down to the main road where we saw the remains of the C18th grade II listed Punch Bowl Inn. It is said to have been visited by the highwaymen Dick Turpin and Ned King in 1738. They stayed for three days after which Turpin travelled to York while King attacked travellers on the local roads. King was executed in 1741 and his ghost was reputed to haunt the pub. The pub had been closed for many years and the new owners tried to get planning permission for several schemes which were turned down so last year they demolished it without permission. An investigation followed, leading Ribble Valley Council to instruct the owners to rebuild it! I can see them appealing the decision and getting away with a slap on the wrist. We seem to have lost any sense of duty and honesty in this country as exemplified by the findings of the Sue Gray report published today on the goings-on of our ‘honourable’ Prime Minister.

Back onto the quieter Shire Lane with views over the Ribble Valley. Just when I thought we were cruising into Hurst Green we were taken through a farmyard and into fields trampled by a herd of frisky bullocks. While most of us tried to avoid the worst of their excrement a brave member of the group held the beasts at bay with his walking poles. “They weren’t here yesterday – honest” was the plea of our leader.

A bonus was one of those Peak & Northern Footpaths Society green signs erected in 2016.

A couple of awkward high stiles slowed the less agile of the party, but they were the only ones uncounted all day. Then we were heading downhill quickly and slipperily back to Dean Brook. At the bottom we found ourselves in the garden of a couple of stone built properties, one had been originally a bobbin mill supplying bobbins and shuttles to the Lancashire cotton mills using power from a mill race taking water from Dean Brook. Again this is something I had missed in the past.

We had come full circle and retired to the excellent Shireburn Arms for lunch.

Greengore.

The Punch Bowl 2019

Now.

Heading down to the old bobbin mill.

That had been an excellent circuit and I regretted not bringing my camera.

CICERONE’S LANCASHIRE – Cockerham Coast and Canal.

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The day was gloomy and so was I – perhaps I overdid the whisky last night. I was still mooching around the house late morning. But I keep trying to push my walking that bit farther. As you know I’m slowly working my way through Mark Sutcliffe’s Cicerone guide to Walking in Lancashire. In this I’m mirrored by Phreerunning Martin who always gets an interestingly different take from me, the pleasures of blogging. I needed something not too long and preferably as flat as possible. Walk 15 seemed perfect. I know the Glasson Dock area well and have done several variations of this walk before, probably most recently on my Lancashire Monastic Way. But looking at Mark’s route I spotted some paths I had never walked. I might struggle to say something original about this walk.

I was a little embarrassed to leave my car in The Stork’s private car park, but the other space was taken by Travellers and their caravans. The channels of the Condor don’t look at their best during low tide. Following the old railway I came into Glasson, busy with people visiting an outdoor market. I couldn’t go past the little shop without buying a coffee, this time to drink as I climbed the minor hill to the viewpoint. The views were disappointing but the coffee good, sorry about the environment polluting cup.

I worked my way around the coast. The tide was out, so Plover lighthouse was accessible, it was previously maintained from the shore before becoming automatic. The incumbent keeper was based at Lighthouse Cottage where there was another light atop a wooden scaffold to line up ships coming into the tricky Lune channel. Across the channel I could see Sunderland Point at one time the major port on the Lune.

A sign talks of plovers nesting on the shoreline, but I wonder about this as the tide comes in fully most days.

Lots of walkers were converging on Cockersand Abbey, of which the only remaining building is the octagonal Chapter House. This has survived because it was used as a mausoleum by the Daltons of Thurnham Hall (see later) during the 18th and 19th centuries. The red sandstone rocks on the shore line show where the building blocks of the Abbey originated.

Continuing around the coast on the sea embankment passing several caravan parks which looked very vulnerable to high tides. It will be interesting to view this area in the coming decades as sea levels rise. Those are the Bowland Hills behind.

Tree of the day.

Small planes kept taking off from somewhere on Cockerham sands, disappearing into the dark clouds only for tiny parachutes to fall from the skies. They were from the Black Knights centre. Was the sign for parachutists that had gone astray on their descent?

I left the coast and followed bridleways through drained lands up to Thursland Hall where one is corralled into narrow ways to bypass their fishery. Change of scenery.

A kilometre of tedious walking brought me to Thurnham Hall, a C17th country house converted into a spa hotel. It looked very smart and there were plenty of people staying in the attached residential block. Walking through I reflected that my life seems very simple compared to others. Escaping by a gate into a field I was wary of proceeding through the large herd of frisky bullocks, so I resorted to an outflanking manoeuvre bringing me back to an ancient green lane. A bridge gave access to the Glasson branch canal.

Herons are a common sight on waterways, staring motionless into the water. I have never seen one catch a fish, but today I was lucky this heron had just caught an eel and was having difficulty trying to swallow it whole. The highlight of the day.

*****

CICERONE’S LANCASHIRE – Blackburn’s countryside.

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Glorious May.

Walk no 36 from Mark Sutcliffe’s guide combines the hills of Billinge with the River Darwen.

The River Darwen winds its way through the urban environments of Darwen and Blackburn and then has a glorious run in the countryside to eventually empty into the Ribble. I first met it today as I followed Mark’s route from Pleasington Station into Witton Country Park. Here it flows quietly through the meadows and playing fields. Walking upstream I met lots of families, dog walkers and picnickers in the afternoon sunshine. The park s very popular and well-used by the multinational people of Blackburn.

Billinge Hill above Witton Park.

Butler’s Bridge on the River Darwen.

Soon after leaving the river I was climbing steadily for what seemed ages but was only a mile or so. There are paths everywhere in Billinge Woods, there is even a tunnel, and I do find them confusing, so it was with some surprise that I found myself at the summit without any problem. The instructions in the guide were spot on. The OS map shows this as a viewpoint, but that was long ago before the trees took over. Maybe a bit of forest management by the council is needed. The plaque commemorating a court up here in 1429 is looking worse for wear also.

I headed west to find my way out of the woods and onto the ridge of the Yellow Hills (named after the Gorse that flowers here most of the year) pausing at the toposcope dedicated to Alfred Wainwright who needs no introduction. There were views over the nearby towns, but it was too hazy to see his beloved Lakeland. There are several links to walks to the memorial For more details.

Paths, now following The Witton Weavers Way, led down through bluebell woods, lush meadows, inquisitive cattle, newly cut fields, into the wooded gorge to meet the River Darwen once again. This I followed on familiar ways through the old mills at Hoghton Bottoms, under the railway arch and past the weir into meadows alongside the river. The last time I was along here the paths were almost impassable with mud and water, today the ground was bone dry.

Ford through the Darwen, oh there is a footbridge.

I didn’t enjoy the stretch alongside the busy A road and was glad when I turned off on the lane back to Pleasington. A seat in the garden of the parish churcof Feniscowles, Immanuel, was ideal for a break and snack. The River Darwen was crossed for the last time at Walk Mill, and I was back at the station where the local bowls club was in full swing as was the pub opposite.

Remains of Old Feniscowles Hall down by the Darwen.

Immanuel Church Feniscowles.

One for the archives.

I had seen a sign for Pleasington Priory and realising it was just a little farther up the lane went to investigate this Grade I listed Catholic Church. Trees in the grounds prevented a good view of the exterior with its tall front elevation. Above the arched entrance doorway was a prominent rose window. Gargoyles and statues seemed to be everywhere.

A well thought out and varied walk, apart from the short unavoidable A6061 stretch. The day was perfect with the countryside at its late spring best, making me feel truly alive. The modest 7 miles took me nearly four hours against the three suggested in the guide, I wasn’t rushing as I tried to protect my knee ligament and there was a profusion of colourful flowers to photograph.

*****

CLITHEROE – CROSSHILL QUARRY AND THE SCULPTURE TRAIL.

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After my pleasant interlude in the Primrose Nature Reserve I drove across town to visit the Cross Hill Nature Reserve, managed by the Lancashire Wildlife Trust.

“Colonised by orchids and teaming with butterflies, Cross Hill Quarry is a shining example of how nature reclaims the relics of our industrial past.”

I found parking difficult on the road used by all the lorries visiting the cement works but eventually found a quiet spot on the Pimlico Road. The area is dominated by the works, limestone Cross Hill Quarry was apparently abandoned in the early 1900s. I entered by the path next to the railway to walk round in a clockwise direction. What struck me most was the notice board for the Ribble Valley Sculpture Trail. in This was established in 1993 to make art accessible to all whilst enjoying the walks in the park. Artists liaised with the local community to produce works relating to the specific environment. I had previously passed a few of them on the riverside walk, part of The Ribble Way through Brungerley Park. There have been many newer installations, so why not follow the whole trail today? Download your own leaflet here.

The first sculpture is one of several by Halima Cassell, a flower head of Great Burnet, 2009. Made up of many ceramic bricks it displays strong patterns reflecting her Islamic heritage which you will recognise in her other works.

To start with the path was very close to the industry on the left, but one soon lost oneself in the greenery. I diverted to see the Tawny Owl Seat, 2018, created out of sandstone by the prosaic Ribble Valley Stonemasonry. I wasn’t impressed, but it did have a good view of the Ribble and distant misty Bowland.

There was a good showing of Cowslips in the meadowland here, but I realised I was probably a month too soon for the orchids and butterflies, although I did spot a solitary male Orange Tip.

Back on the peripheral path were a stunning pair of Sika Deer, 2007, by Clare Bigger. These life-sized minimalistic animals sprang out of the woodland in a flury of movement.

A little farther and there was another of Halima Cassell‘s geometric ceramics – Fir Cone. Very grand and distinctive.

In contrast, was the diminutive stainless steel Butterflies, 2007, the first of three waymarks by David Appleyard. He developed these in collaboration with local schools. The symbolic nature of the cutouts demand a much closer attention.

A little farther is another of his installations – Ivy, 2007.

The higher path led into the more formalised Brungerley Park. A workman was busy blowing the leaves off the paths, work I always think of as lazy and ultimately unproductive when the next winds blow. Here was the strangest of sculptures in the park. The Cook House, 2000, Helen Calaghan. Apparently depicting a pan of boiling tripe, is there a history of this in the quarry? She has incorporated fossils, as found locally, into the goo. Very strange.

Back to the more familiar at the gate – Common Comfrey, Halima Cassell, 2009.

I left the park through the ornate gates with a Latin inscription beyond me…

…only to re-enter the park lower down near Brungerley Bridge.

Again a comforting installation from Halima Cassell welcomed me back – Alder Cone, 2009.

This path now was closer to the river. The garden blower was still at work but had time to explain to me how at one time there was a landing stage for pleasure boats here and long before the bridge was built hipping stones across the shallows, with links to Henry VI’s capture in the C15th.

Disappointedly I couldn’t make much of Tom Dagnall‘s Two Heads in an elm tree from 1993. I know the artist but couldn’t see one head never mind two. I think they must be on the other side or have rotted away.

Down some steps to the riverside I found Fish Mobile, 2007, by Julie Ann Seaman. Depending on where you stand the fish either swim in the Ribble or leap above the water. Mine did neither.

Onwards I retraced my steps on the outbound route and then dropped to the river again where I found another of David Appleyard‘s steel waymarks, Brook, 2007. Symbolic of flowing water.

Down here was also As the Crow Flies a compass feature in wood by David Halford from 1994. Wooden sculptures don’t seem to last long in the damp NW. The next ceramic mosaic was inspired by Victorian shop doorways in Clitheroe, Wildlife, from Louise Worrell, 2000. It looked more Roman than Lancastrian.

Another Halima Cassell brick creation Lords and Ladies, 2009. Nearby were the real flowers.

Alongside the riverside track were three Mosaic Waymarkers created by Paul Smith in collaboration with Clitheroe primary schools in 2005. They depicted wildlife found in the area with glass and ceramic mosaics.

My side trip into the quarry was not a great success, I forgot to look for Thomas Dagnall’s Footprints as I examined the slanting strata of the limestone. I was too soon for most flowers, though the delph was alive with birdsong.

Where the Ribble Way leaves the park to follow the river there was a striking sculpture of an Otter in white limestone, Fiona Bowley, 2007. I don’t know why, but it reminded me of the Little Mermaid on the waterfront in wonderful Copenhagen. I have yet to see an otter on the Ribble.

Down by the river was the jolly The Ribble King an imaginative piece created by Matthew Roby, 2007, from recycled materials. At least I often see Kingfishers on the Ribble.

Fittingly, as her geometric representative floral statues composed of multiple ceramic bricks have been a highlight of the trail, my last as I left the reserve was Halima Cassell’s Thistle. Again this had been installed in the relative recent 2009 which explains why I had not seen them on my infrequent visits.

An eclectic collection of statues all having some relevance to the Ribble Valley environment. I like the way schools have been involved in some installations but from a purely visual impact the more professional statues had the most impact on my limited appreciative sensibilities. My favourite has to be the Sika Deer.

I appreciated the bench in the park and the sentiment.

Back at the car and looking at the map there was another disused quarry on the other side of the road with a green public right of way around it. I couldn’t resist it, but unfortunately the quarry has been in filled and the path is fenced in most of the way, so there was little to see. At least I tried.

Salthill Geological trail will have to wait for another day, perhaps in early June when those rare orchids may appear.

*****

CLITHEROE – A SURPRISE IN PRIMROSE NATURE RESERVE.

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Clitheroe is just down the road from my home and at the back of my mind was an excellent post from Shazza regarding a nature reserve in town. Three in particular I wanted to visit; Primrose, Crosshill Quarry and Salthill.

I got away at lunchtime and eventually found somewhere to park adjacent to the newish Primrose Nature Reserve. I remember the excellent Primrose Nursery which used to trade across the road – now an Aldi. There is a bridge above the lodge dam and below is the new fish ladder allowing fish and eel access to Mearley Brook. The mill buildings are being converted to apartment living spaces. Work has been carried out to improve the water environment and access to it. Community And Wildlife | Primrose Nature Reserve | Clitheroe (primrosecommunitynaturetrust.org)

The lodge was created to supply Primrose Mill, opened for cotton spinning in 1787, the arrival of the Industrial Revolution in Clitheroe Subsequently the mill was used for calico printing and later became a paper mill. The paper mill at Primrose had a relatively short life until1890, but the lodge continued to feed a Lower Mill which ultimately became a bleaching and dying works and continued to operate until 1963. The lodge became silted up.

I stood at the bridge for some time intrigued whether the heron was real or not, it didn’t move an inch.

I found a way into the reserve and down to a viewing platform – a few ducks only. The path through the reserve strip was followed with Blackbirds and Chiffchaff noisy in the canopy somewhere. I stopped at the ‘Manet’ bridge to view some water sluices when along came along a black Labrador which I thought I recognised from Shazza’s posts – Hugo. Of course, he was with Shazza herself, so I bravely introduced myself. What an amazing meeting of bloggers. She was as charming as her posts, and it was a joy to meet her.

I let her carry on with Hugo’s exercise as I left the reserve on to the main Whalley Road. The trustees and volunteers have created a vital green space in the centre of Clitheroe which will only improve as it matures.

Ahead of me was St. James Church looking almost as an L S Lowry painting in its starkness.

I walked back along the road and on crossing the lodge bridge once more I saw that the heron had changed its stance proving its existence.

I next went to explore Crosshill Quarry Reserve but became distracted by the Ribble Valley Sculpture Trail, so I think I will leave that to another post.

HAIGH HALL SAMPLER.

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At the risk of sounding unappreciative or even worse, condescending I’m not one for walking in large parties. One can miss so much of the nature and environment you have come to experience unless led by an experienced historian, geologist or biologist. Today however I was invited to join a group on their short walk from Haigh Hall near Wigan, of which I had no knowledge, They meet once a month for a walk and a pub lunch to follow. Sounded just right for a non committing outing.

The sat-nav negotiated unfamiliar lanes to state that we had arrived at our destination in the large car park of Haigh Woodland Park. (£3.50 all day parking) Our merry group of 12 assembled, I knew three or four of them. Two hours later we were back having followed our leader of the day on what appeared an interesting three-mile circuit. Most of the interest however was passed by as conversation took preference between the friendly crowd. We retired to a local eatery for more of the sociable chat and an excellent meal, a pleasant way to spend a few hours, and I was very grateful for being included.

There was not much opportunity to take photographs as the hoard marched on.

On my return home perusing the maps and websites here and here I found so much more to occupy a repeat visit, probably alone. The area is full of history. Bah humbug, mea culpa.

This was roughly our circuit from memory.

CICERONE’S LANCASHIRE – under Pendle.

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Walk no. 33 in Mark Sutcliffe’s guide explores the foothills of Pendle from Downham. I was just able to park in the picture postcard village at 10am. The sunshine had brought everyone out to explore the surrounding limestone countryside. A large walking party was manning up for perhaps an ascent of Pendle brooding above. Time to be on my way. This 5 mile stroll should be within my ever decreasing limits, the bad heel and bad back were still niggling me. On top of that my recent cycling tumble has left me with a painful ligament on the inside of my left knee. Anyhow, I’ve strapped up my knee, so I can enjoy the best of the Spring sunshine.

Familiar paths alongside Downham Beck get me ahead of the crowds. Soon I was climbing up to Clay House the first of several attractive farmhouses on today’s walk. There was no letup as I continued upwards, past a barn at Lane Head and then over the access lane to Hollins Farm. Up to Hecklin Farm where a diversion around to the right and then fields towards Ravens Holme. The wall stiles are solid, none of those namby-pamby metal gates with yellow catches, and marker posts have guided me through the fields. That’s how it should be.

Leaving by Downham Beck

C19th Clay House.

C18th Hollin’s Farm.

How much in a garden centre?

C17th Hecklin Farm.

C17th Raven’s Holme.

Spring is definitely in the air with lambs, blackthorn blossom, primroses and celandines all around.

Ups and downs in these folded foothills took me up to Throstle Hall Cottage. All the while Pendle gazed down on my slow progress. Whilst Mark’s directions have been spot on he has become confused with the names of the farms along here. A simple mistake for which there is no excuse. I was now on paths new to me as I descended towards Hill Foot farm. Now out onto open limestone pastures with little quarries all around. I emerged onto the lane by the defunct mill pond to Twiston Mill. TWISTON_MILL.pdf (downhamvillage.org.uk)

Twiston Mill.

I couldn’t resist the short walk up the hill past the Lime Kiln to have a look into Witches Quarry, a favourite limestone venue of mine for years. The sun doesn’t get round to the face until late. Climbers were on one of the sustained HVS’s in the centre of the wall, The Spell. The routes here tend to have ‘witch’ themed names, this is Lancashire Witch country after all. I chatted for a while and then left as they were starting up the VS Thrutch. I was feeling a little envious as I walked down the lane and in fact the quarry could be seen from a fair bit of my ongoing track which surprised me as one tends to think of it being hidden from close up.

The Spell.

Thrutch.

Zoom back to the quarry half a mile away.

The paths I used were well trodden heading down the beck, but then I crossed on a footbridge and climbed past a cottage, Springs, onto a higher ridge, possibly a Roman way, for a grand finale back to Downham, now even busier with families enjoying the sunshine and ice creams from the little shop. I came in by the pretty cottages, pub and church. All the while Pendle was proudly overlooking its gentle foothills. For more of Downham read here.

Springs.

An ideal walk for a perfect Spring day, though I don’t think I’ll be out for a while as my knee has played up.

*****

bowlandclimber

Walks and climbs

Category Archives: Art and architecture.

A SMALL STRETCH OF COAST.

END OF AN ERA.

LANCASTER MARITIME MUSEUM BY DEFAULT.

CICERONE’S LANCASHIRE – back on the trail.

A BLOGGERS GIFT.

LITTER ON THE FELL.

CICERONE’S LANCASHIRE – To the points.

FLAG WAVING IN BLACKPOOL.

I BELONG TO GLASGOW – Part 4.

I BELONG TO GLASGOW – Part 3

I BELONG TO GLASGOW – Part 2.

I BELONG TO GLASGOW. Part 1.

CICERONE’S LANCASHIRE – Lunesdale and Kirkby Lonsdale.

NEW PATHS AT HURST GREEN.

CICERONE’S LANCASHIRE – Cockerham Coast and Canal.

CICERONE’S LANCASHIRE – Blackburn’s countryside.

CLITHEROE – CROSSHILL QUARRY AND THE SCULPTURE TRAIL.

CLITHEROE – A SURPRISE IN PRIMROSE NATURE RESERVE.

HAIGH HALL SAMPLER.

CICERONE’S LANCASHIRE – under Pendle.